LEADER 04457nam 2200541 450 001 9910821274303321 005 20231110233245.0 010 $a0-8173-9411-7 035 $a(MiAaPQ)EBC29430232 035 $a(Au-PeEL)EBL29430232 035 $a(CKB)24753660300041 035 $a(OCoLC)1343247475 035 $a(MdBmJHUP)musev2_97941 035 $a(EXLCZ)9924753660300041 100 $a20230919d2022 uy 0 101 0 $aeng 135 $aurcn#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWriting into the future $enew American poetries from "The dial" to the digital /$fAlan Golding 205 $a1st ed. 210 1$aTuscaloosa, Alabama :$cThe University of Alabama Press,$d[2022] 210 4$dİ2022 215 $a1 online resource (354 pages) 225 1 $aModern and Contemporary Poetics 300 $aIncludes index. 311 08$aPrint version: Golding, Alan Writing into the Future Bielefeld : University of Alabama Press,c2022 9780817360498 320 $aIncludes bibliographical references and index. 327 $aThe dial, The little review, and the dialogics of the modernist "new" -- The new American poetry revisisted again -- New, newer, and the newest American poetries -- Poetry anthologies and the idea of the "mainstream" -- Serial form in George Oppen and Robert Creeley -- Place, space, and "new syntax" in Oppen's Seascape: needle's eye -- Macro, micro, material : Rachel Blau DuPlessis's Drafts and the post-objectivist serial poem -- Drafts and fragments : Rachel Blau DuPlessis's (counter-)Poudian project -- "Drawings with words" : Susan Howe's visual feminist poetics -- Authority, marginality, England, and Ireland in the work of Susan Howe -- Bruce Andrews, writing, and "poetry" -- "What about all this writing?" : Williams and alternative poetics -- Language writing, digital poetics, and transitional materialities. 330 $a"A career-spanning collection of essays from a leading scholar of avant-garde poetry, this work collects Alan Golding's essays on the futures (past and present) of poetry and poetics. Throughout the 13 essays gathered in this collection, Golding skillfully joins literary critique with a concern for history and a sociological inquiry into the creation of poetry. In Golding's view, these are not disparate or even entirely distinct critical tasks. He is able to fruitfully interrogate canons and traditions, both on the page and in the politics of text, culture, and institution. A central thread running through the chapters is a longstanding interest in how various versions of the "new" have been constructed, received, extended, recycled, resisted, and reanimated in American poetry since modernism. To chart the new, Golding contends with both the production and the reception of poetry, in addition to analyzing the poems themselves. In a generally chronological order, Golding reconsiders the meaning for contemporary poets of high modernists like Ezra Pound and William Carlos Williams, as well as the influential poetry venues The Dial and The Little Review, where less prominent but still vital poets contested what should come "next." Subsequent essays track that contestation through The New American Poetry and later anthologies. Mid-century major figures like Robert Creeley and George Oppen are discussed in their shared concern for the serial poem. Golding's essays bring us all the way back to the present of the poetic future, with writing on active poets like Rachel Blau DuPlessis, Susan Howe, and Bruce Andrews and on the anticipation of digital poetics in the material texts of Language writing. Golding charts the work of defining poetry's future and how we rewrite the past for an unfolding present"--$cProvided by publisher. 410 0$aModern and Contemporary Poetics 606 $aAmerican poetry$y20th century$xHistory and criticism 606 $aAmerican poetry$y21st century$xHistory and criticism 606 $aPoetics 615 0$aAmerican poetry$xHistory and criticism. 615 0$aAmerican poetry$xHistory and criticism. 615 0$aPoetics. 676 $a811/.509 686 $aLIT014000$aLIT004020$2bisacsh 700 $aGolding$b Alan C.$f1952-$01705247 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821274303321 996 $aWriting into the future$94091830 997 $aUNINA