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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAesthetics of renewal $eMartin Buber's early representation of Hasidism as kulturkritik /$fMartina Urban
210   $aChicago $cUniversity of Chicago Press$d2008
215   $a1 online resource (254 p.)
300   $aDescription based upon print version of record.
311   $a0-226-84270-3 
320   $aIncludes bibliographical references (p. 217-227) and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $tAbbreviations -- $tIntroduction -- $t1. Buber's Hermeneutic Horizon -- $t2. The Anthology and the Jewish Renaissance -- $t3. Zionist Anthologies -- $t4. In Search of Collaborators -- $t5. The Galician Circle of Elusive Collaborators -- $t6. Ahad Ha'am's Theory of Culture Revised -- $t7. Sprachkritik: The Crisis of Perception -- $t8. Jewish Culture: Between Mystical Aesthetics and Lebensphilosophie -- $t9. A Phenomenology of Hasidic Mysticism -- $tConclusion -- $tAppendix: Buber's Sources for Die Legende des Baalschem -- $tNotes -- $tBibliography -- $tIndex
330   $aMartin Buber's embrace of Hasidism at the start of the twentieth century was instrumental to the revival of this popular form of Jewish mysticism. Hoping to instigate a Jewish cultural and spiritual renaissance, he published a series of anthologies of Hasidic teachings written in German to introduce the tradition to a wide audience. In Aesthetics of Renewal, Martina Urban closely analyzes Buber's writings and sources to explore his interpretation of Hasidic spirituality as a form of cultural criticism.  For Buber, Hasidic legends and teachings were n
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