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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 04$aThe permanence of the transient $eprecariousness in art /$fedited by Camila Maroja, Caroline Menezes and Fabrizio Augusto Poltronieri
210  1$aNewcastle upon Tyne, [England] :$cCambridge Scholars Publishing,$d2014.
210  4$dİ2014
215   $a1 online resource (183 p.)
300   $aDescription based upon print version of record.
311   $a1-322-09761-5 
311   $a1-4438-5698-3 
327   $aTABLE OF CONTENTS; LIST OF IMAGES; PREFACE; INTRODUCTION; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; PART III; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; PART IV; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; NOTES ON THE AUTHORS; IMAGES' CREDITS
330   $aHow should one approach the notion of the precarious in art-its meanings and its outcomes? Its presence in artistic practices may be transient, yet it instigates permanent changes in the production, discourse, and perception of art. The Permanence of the Transient: Precariousness in Art gathers essays that examine the traces and implications of precariousness in contemporary art, and lays a foundation for a thoughtful study of its emergence in related fields throughout the 20th and 21st centu...
606   $aArt$y20th century
606   $aArt$y21st century
615  0$aArt
615  0$aArt
676   $a700
702   $aMaroja$b Camila
702   $aMenezes$b Caroline
702   $aPoltronieri$b Fabrizio Augusto
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910821200603321
996   $aThe permanence of the transient$94068387
997   $aUNINA