LEADER 04135nam 2201045 a 450 001 9910821184503321 005 20240410074515.0 010 $a1-282-76313-X 010 $a9786612763137 010 $a0-520-93829-1 010 $a1-59875-531-5 024 7 $a10.1525/9780520938298 035 $a(CKB)1000000000030777 035 $a(EBL)231915 035 $a(OCoLC)475938252 035 $a(SSID)ssj0000175800 035 $a(PQKBManifestationID)11177188 035 $a(PQKBTitleCode)TC0000175800 035 $a(PQKBWorkID)10204218 035 $a(PQKB)10426601 035 $a(MiAaPQ)EBC231915 035 $a(OCoLC)60407992 035 $a(MdBmJHUP)muse30708 035 $a(DE-B1597)519244 035 $a(OCoLC)1058899814 035 $a(DE-B1597)9780520938298 035 $a(Au-PeEL)EBL231915 035 $a(CaPaEBR)ebr10079963 035 $a(CaONFJC)MIL276313 035 $a(EXLCZ)991000000000030777 100 $a20040803d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aI never knew what time it was /$fDavid Antin 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$dc2005 215 $a1 online resource (190 p.) 300 $aDescription based upon print version of record. 311 $a0-520-24305-6 311 $a0-520-24304-8 327 $aThe theory and practice of postmodernism: a manifesto -- California: the nervous camel -- Cafe? Europa -- Talking at Ble?rancourt -- The noise of time -- I never knew what time it was -- Time on my hands -- How wide is the frame -- What happened to Walter -- Endangered nouns. 330 $aIn this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time-how it's felt, remembered, and recounted. These free-form talk pieces-sometimes called talk poems or simply talks-began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960's onward. 606 $aPerformance art$vTexts 606 $aArts$zCalifornia 607 $aCalifornia$xCivilization 610 $a1960s. 610 $a20th century. 610 $aanalysis. 610 $aart and literature. 610 $acomedy. 610 $aconcept of time. 610 $acontemporary poetry. 610 $aexperience of time. 610 $afamous poets. 610 $afreeform poetry. 610 $aimprovised poetry. 610 $aliterary criticism. 610 $aliterary critics. 610 $alived experiences. 610 $amemory. 610 $amodern poets. 610 $amuseums. 610 $anew york. 610 $aoral history. 610 $aperformance art. 610 $apoetry centers. 610 $apoetry collection. 610 $apoets. 610 $asouthern california. 610 $atalk poems. 610 $atemporal states. 610 $athinking out loud. 610 $atime. 610 $auniversities. 610 $averbal invention. 610 $averbal poems. 615 0$aPerformance art 615 0$aArts 676 $a811/.54 700 $aAntin$b David$050024 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821184503321 996 $aI never knew what time it was$94003804 997 $aUNINA