LEADER 02329nam 2200481 450 001 9910821169003321 005 20170920010923.0 010 $a1-4422-7325-9 035 $a(CKB)3710000000842404 035 $a(EBL)4659700 035 $a(PQKBManifestationID)16510889 035 $a(PQKBWorkID)15038641 035 $a(PQKB)21621801 035 $a(MiAaPQ)EBC4659700 035 $a(EXLCZ)993710000000842404 100 $a20160912h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAdapting the beat poets $eBurroughs, Ginsberg, and Kerouac on screen /$fMichael J. Prince 210 1$aLanham, [Maryland] :$cRowman & Littlefield Publishers,$d2016. 210 4$dİ2016 215 $a1 online resource (171 p.) 225 1 $aFilm and History 300 $aDescription based upon print version of record. 311 $a1-4422-7324-0 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Introduction; 1 The Subterraneans; or, Arthur Freed's Beatnik Musical; 2 Textural and Lexical Fidelities in the Short Film Adaptations of William S. Burroughs; 3 David Cronenberg's Naked Lunch; 4 Mrs. and Mr. Cassady; 5 The Many Registers of Allen Ginsberg's Howl; 6 Jack Kerouac in the Contemporary Cultural Stream; Conclusion; Bibliography; Index; About the Author 330 $aWilliam S. Burroughs, Allen Ginsberg, and Jack Kerouac were three of the most significant figures of the Beat Generation, whose writings have been adapted and appropriated for graphic novels, feature-length films, and other media. Adapting the Beat Poets looks at film versions of their writings-including Naked Lunch, Howl, and On the Road-and examines how these interpretations are linked to each other and how beat literature, which historically and artistically stakes itself on authenticity, can be significantly altered by such adaptations. 410 0$aFilm and history (Lanham, Md.) 606 $aBeat generation 615 0$aBeat generation. 676 $a791.43/75 700 $aPrince$b Michael J.$f1958-$01630600 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821169003321 996 $aAdapting the beat poets$93968996 997 $aUNINA