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035   $a(EBL)4662492
035   $a(OCoLC)958121805
035   $a(MiAaPQ)EBC4662492
035   $a(EXLCZ)993710000000842760
100   $a20160913h20162016  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aStaging france between the world wars $eperformance, politics, and the transformation of the theatrical canon. /$fSusan McCready
210  1$aLanham, Maryland :$cLexington Books,$d2016.
210  4$dİ2016
215   $a1 online resource (177 p.)
300   $aDescription based upon print version of record.
311   $a1-4985-2280-7 
311   $a1-4985-2278-5 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction; 1 Subject to Interpretation; 2 Mobilizing the Canon; 3 Molie?re; 4 Racine et Shakespeare; 5 The Romantics; 6 Hitting the Mainstream; Conclusion; General Bibliography; Index; About the Author
330   $aStaging France between the World Wars analyzes the rise of the modernist aesthetic in French stagecraft between the world wars. Focusing on interwar productions of the classics, it demonstrates that modernist directors had a significant and lasting impact on the academic canon of theater: they introduced a youthful, farcical Molie?re, reshuffled the hierarchy of Romantic playwrights, and introduced a generation to a more authentic Shakespeare.
606   $aFrench drama$y19th century$xHistory and criticism
606   $aTheater$zFrance$xHistory$y19th century
615  0$aFrench drama$xHistory and criticism.
615  0$aTheater$xHistory
676   $a842.709
700   $aMcCready$b Susan$01630570
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910821163303321
996   $aStaging france between the world wars$93968948
997   $aUNINA