LEADER 02371nam 2200637 a 450 001 9910821151903321 005 20230209230924.0 010 $a1-282-97928-0 010 $a9786612979286 010 $a1-86189-788-X 035 $a(CKB)2670000000035035 035 $a(EBL)618744 035 $a(OCoLC)649924762 035 $a(SSID)ssj0000671845 035 $a(PQKBManifestationID)11931716 035 $a(PQKBTitleCode)TC0000671845 035 $a(PQKBWorkID)10633589 035 $a(PQKB)10418712 035 $a(MiAaPQ)EBC618744 035 $a(Au-PeEL)EBL618744 035 $a(CaPaEBR)ebr10400701 035 $a(CaONFJC)MIL297928 035 $a(EXLCZ)992670000000035035 100 $a20100812d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aApe to Apollo $eaesthetics and the idea of race in the 18th century /$fDavid Bindman 210 1$aLondon :$cReaktion Books,$d2002. 215 $a1 online resource (264 pages) $cillustrations (some color) 300 $aDescription based upon print version of record. 311 0 $a1-86189-140-7 320 $aIncludes bibliographical references and index. 327 $aApe to Apollo Cover; Imprint page; Contents; Preface; Introduction: Human Variety, Race and Aesthetics; 1 Human Variety Before Race; 2 The Climate of the Soul; 3 Defining and Denying Race; 4 The Skull's Triumph; Epilogue; References; Select Bibliography; Photographic Acknowledgements; Index 330 $aIn Ape to Apollo, art historian David Bindman argues that ideas of beauty were from the beginning inseparable from race, as Europeans judged the civility and aesthetic capacity of other races by their appearance. 606 $aAesthetics, European$y18th century 606 $aRace 606 $aEthnology$xHistory$y18th century 606 $aAesthetics, Modern$y18th century 615 0$aAesthetics, European 615 0$aRace. 615 0$aEthnology$xHistory 615 0$aAesthetics, Modern 676 $a305.8/009/033 676 $a305.8009033 676 $a700.455 700 $aBindman$b David$f1940-$0215228 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821151903321 996 $aApe to Apollo$94119731 997 $aUNINA