LEADER 04469oam 2200733Ia 450 001 9910821139203321 005 20190503073413.0 010 $a0-262-31386-3 010 $a1-299-45774-6 010 $a0-262-31385-5 035 $a(CKB)2550000001018773 035 $a(EBL)3339609 035 $a(SSID)ssj0000860517 035 $a(PQKBManifestationID)11507803 035 $a(PQKBTitleCode)TC0000860517 035 $a(PQKBWorkID)10895584 035 $a(PQKB)11255416 035 $a(MiAaPQ)EBC3339609 035 $a(CaBNVSL)mat06504633 035 $a(IDAMS)0b00006481d40248 035 $a(IEEE)6504633 035 $a(OCoLC)837366407$z(OCoLC)961599153$z(OCoLC)962703176$z(OCoLC)975595504$z(OCoLC)988435576$z(OCoLC)991927324$z(OCoLC)1037932799$z(OCoLC)1038636183$z(OCoLC)1045396779$z(OCoLC)1045471872$z(OCoLC)1048237692$z(OCoLC)1048746434$z(OCoLC)1055348309$z(OCoLC)1066565236$z(OCoLC)1081291300 035 $a(OCoLC-P)837366407 035 $a(MaCbMITP)9325 035 $a(Au-PeEL)EBL3339609 035 $a(CaPaEBR)ebr10686953 035 $a(CaONFJC)MIL477024 035 $a(OCoLC)837366407 035 $a(EXLCZ)992550000001018773 100 $a20130409d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMoving without a body $edigital philosophy and choreographic thoughts /$fStamatia Portanova 210 1$aCambridge, Massachusetts :$cThe MIT Press,$d[2013] 215 $a1 online resource (194 p.) 225 1 $aTechnologies of lived abstraction 300 $aDescription based upon print version of record. 311 $a0-262-01892-6 320 $aIncludes bibliographical references and index. 327 $aContents; Series Foreword; Acknowledgments; Introduction: Thinking Choreography Digitally; I Imag(in)ing the Dance: Choreo-nexus; 0 To Perceive Is to Abstract; 1 Digital Abstractions: The Intuitive Logic of the Cut; II Remembering the Dance: Mov-objects; 10 Can Objects Be Preserved?; 11 Can Objects Change?; 100 Can Objects Be Processes?; III Thinking the Dance: Compu-sitions; 101 Numbered Dancers and Software Ballet; 110 When Memory Becomes Creation; A Germ of Conclusion: In Abstraction; Notes; Index 330 $aDigital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think -- rather than just perform or perceive -- movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems. 410 0$aTechnologies of lived abstraction. 606 $aMovement (Philosophy) 606 $aHuman body (Philosophy) 606 $aChoreography$xPhilosophy 606 $aComputer art$xPhilosophy 610 $aDIGITAL HUMANITIES & NEW MEDIA/New Media Art 610 $aPHILOSOPHY/General 610 $aARTS/Performance Studies/Dance 615 0$aMovement (Philosophy) 615 0$aHuman body (Philosophy) 615 0$aChoreography$xPhilosophy. 615 0$aComputer art$xPhilosophy. 676 $a701/.8 700 $aPortanova$b Stamatia$f1974-$0618491 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910821139203321 996 $aMoving without a body$91071893 997 $aUNINA