LEADER 03349nam 2200625 a 450 001 9910821050203321 005 20200520144314.0 010 $a0-292-79565-3 024 7 $a10.7560/714588 035 $a(CKB)1000000000467049 035 $a(OCoLC)191950552 035 $a(CaPaEBR)ebrary10190639 035 $a(SSID)ssj0000150133 035 $a(PQKBManifestationID)11151141 035 $a(PQKBTitleCode)TC0000150133 035 $a(PQKBWorkID)10279906 035 $a(PQKB)10682357 035 $a(MiAaPQ)EBC3443058 035 $a(OCoLC)82138792 035 $a(MdBmJHUP)muse2211 035 $a(Au-PeEL)EBL3443058 035 $a(CaPaEBR)ebr10190639 035 $a(DE-B1597)588151 035 $a(OCoLC)1286806633 035 $a(DE-B1597)9780292795655 035 $a(EXLCZ)991000000000467049 100 $a20060612d2006 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEthnographic film /$fby Karl G. Heider 205 $aRev. ed. 210 $aAustin $cUniversity of Texas Press$d2006 215 $a1 online resource (180 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-71458-0 320 $aIncludes bibliographical references (p. [143]-154) and index. 320 $aIncludes filmography: p. [123]-142. 327 $tFrontmatter -- $tContents -- $tPreface -- $tAcknowledgments -- $t1. Introduction -- $t2. A history of ethnographic film -- $t3. The attributes of ethnogr aphic film -- $t4. Making ethnogr aphic film -- $t5. The use of ethnogr aphic -- $tAppendix: A brief descriptive catalog of films -- $tBibliography -- $tIndex 330 $aEven before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers?Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching. 606 $aMotion pictures in ethnology 606 $aMotion pictures in ethnology$xStudy and teaching 615 0$aMotion pictures in ethnology. 615 0$aMotion pictures in ethnology$xStudy and teaching. 676 $a305.8 700 $aHeider$b Karl G.$f1935-$01711765 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821050203321 996 $aEthnographic film$94103339 997 $aUNINA