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200 00$aWays ahead$b[electronic resource]$eproceedings of the First International Csound Conference /$fedited by Joachim Heintz, Alex Hofmann and Iain McCurdy
205   $a1st ed.
210   $aNewcastle, Neb. $cCambridge Scholars Pub.$dc2013
215   $a1 online resource (311 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-4758-5 
311   $a1-299-76572-6 
327   $aTABLE OF CONTENTS; FOREWORD; HISTORY; CSOUND PAST, PRESENT AND FUTURE; HOW TO BECOME A CSOUND ROOT?; LICENSING CSOUND TO LGPL; DEVELOPMENT; USER-DEVELOPER ROUND TABLE I; WRITING CSOUND OPCODES IN LUA; THE CSOUND API; CSOUND AND OBJECT-ORIENTATION; THE HADRON PLUGIN AND THE PARTIKKEL OPCODE; DEVELOPING CSOUND PLUGINS WITH CABBAGE; WAVELETS IN CSOUND; MUSIC; PERFORMING WITH CSOUND; FINGERS IN THE WAVES; SPINNING PENDULUM CLOCK; RAZOR CHOPPER; ..ED IO STO AL CENTRO; GEOGRAPHIES; ZEITFORMATION; ...UND LA?CHELND IHR U?BEL UMARMEN...; THE ECHO; TRE?S QUADROS SOBRE PEDRA; VINETA; CHEBYCHEV
327   $aTHE RITE OF JUDGMENTCSOUND HAIKU; CONTINUOUS FLOW MACHINES; USAGE; THE CSOUND JOURNAL; DEVELOPING CSOUNDQT; PYTHON SCRIPTING IN CSOUNDQT; COMPOSING CIRCUMSPECTRAL SOUNDS; CREATING REVERB EFFECTS USING GRANULAR SYNTHESIS; INTRODUCING CSOUND FOR LIVE; COMPOSING WITH BLUE; THE UDO DATABASE; EDUCATION; USER-DEVELOPER ROUND TABLE II; A PERSONAL VIEW ON TEACHING CSOUND; PWGL; QUINCE; CSOUND AT HMTM HANNOVER; THE CSOUND REAL-TIME COLLECTION; TEACHING WITH CSOUND; COLLABORATIVE DOCUMENTATION OF OPEN SOURCE MUSIC SOFTWARE; IMPRESSIONS OF THE FIRST INTERNATIONAL CSOUND CONFERENCE
327   $aSCHEDULE OF THE FIRST INTERNATIONAL CSOUND CONFERENCEEDITORS
330   $aThe first international Csound conference, held at the Hanover University of Music, Drama and Media (HMTMH) between 30th September and 2nd October 2011, marked the first time that the principal people involved with Csound - in existence since 1986 - met in person. This book documents not only the proceedings of this conference through its inclusion of the featured papers, workshop descriptions and round table summaries, but also includes interviews with developers and musicians, along with several new articles written exclusively for this publication. Reflecting the diversity of contributions 
606   $aComputer sound processing$vCongresses
615  0$aComputer sound processing
676   $a780.285416
701   $aHeintz$b Joachim$01695077
701   $aHofmann$b Alex$01695078
701   $aMcCurdy$b Iain$01695079
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
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996   $aWays ahead$94074082
997   $aUNINA