LEADER 02199nam 2200385 450 001 9910678401103321 005 20230529052524.0 024 7 $a10.25154/book5 035 $a(CKB)5470000000212791 035 $a(NjHacI)995470000000212791 035 $a(EXLCZ)995470000000212791 100 $a20230529d2020 uy 0 101 0 $aspa 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCine, revolucio?n y resistencia $eLa poli?tica cultural del Instituto Cubano del Arte e Industria Cinematogra?ficos hacia Ame?rica Latina /$fSalvador Salazar Navarro 210 1$aPittsburgh :$cLatin America Research Commons,$d2020. 210 4$dİ2020 215 $a1 online resource (336 pages) 311 $a1-951634-08-X 311 $a1-951634-09-8 320 $aIncludes bibliographical references and index. 330 $aThroughout these pages a journey is made chronological by the main expressions of the cultural policy developed by the Institute Cuban Film to Latin America, from the early sixties to late 20th century. From the analysis of the Cumbite films (1964, Toma?s Gutie?rrez Alea), Cantata de Chile (1975, Humberto Sola?s), Love in the minefield (1987, Pastor Vega) and Mascaro?, the American hunter (1991, Constant Rapi Diego), the highlights of this policy and the ideological projects that gave them sustenance. A set of works by Santiago A?lvarez, considered the exponent most significant of documentary Cuban politics. History the relationships between ICAIC and Latin America allows us to delve into a complex reading of outer links of the Cuban Revolution, specifically what concerning the interrelationships between actors and institutions. The ultimate goal of this book is contribute to the construction of a critical account of Cuban culture after 1959, with respect to to Latin America. 606 $aDiplomacy 615 0$aDiplomacy. 676 $a327.2 700 $aSalazar Navarro$b Salvador$01359821 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910678401103321 996 $aCine, revolucio?n y resistencia$93374835 997 $aUNINA LEADER 04250nam 2200817 450 001 9910821010303321 005 20230912163225.0 010 $a1-282-02281-4 010 $a9786612022814 010 $a1-4426-8205-1 024 7 $a10.3138/9781442682054 035 $a(CKB)2420000000004475 035 $a(OCoLC)666912617 035 $a(CaPaEBR)ebrary10218723 035 $a(SSID)ssj0000306247 035 $a(PQKBManifestationID)11238503 035 $a(PQKBTitleCode)TC0000306247 035 $a(PQKBWorkID)10311719 035 $a(PQKB)10651421 035 $a(CaBNvSL)thg00600330 035 $a(DE-B1597)465018 035 $a(OCoLC)1004876406 035 $a(OCoLC)944177311 035 $a(DE-B1597)9781442682054 035 $a(Au-PeEL)EBL4672130 035 $a(CaPaEBR)ebr11257811 035 $a(CaONFJC)MIL202281 035 $a(VaAlCD)20.500.12592/f5cmc9 035 $a(schport)gibson_crkn/2009-12-01/6/418327 035 $a(MiAaPQ)EBC4672130 035 $a(MdBmJHUP)musev2_105408 035 $a(MiAaPQ)EBC3254818 035 $a(EXLCZ)992420000000004475 100 $a20160922h20022002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe poetry of immanence $esacrament in Donne and Herbert /$fRobert Whalen 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2002. 210 4$dİ2002 215 $a1 online resource (239 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-3659-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction: The Eucharist and the English Reformation -- Secular verse of the religious man: Donne and sacrament at play -- sacrament and grace -- Eating the word: Donne's 1626 Christmas Sermon -- Heart's Altar: Herbert and presence -- Sacramental Puritanism: Herbert's English via media -- Poetry and self: the Eucharistic art of devotion -- Conclusion: sacramental poetics. 330 1 $a"In this extensive study of two of the most celebrated seventeenth-century religious poets, Robert Whalen examines the role of sacrament in the formation of early modern religious subjectivity. For John Donne and George Herbert, sacramental topoi became powerful conceptual tools with which to explore both the intersection of spiritual and material aspects of human experience and their competing claims to Christianity. Whalen's argument builds upon his central idea of 'sacramental Puritanism, ' or the effort to cultivate a Calvinist sense of interiority through a fully ceremonial apparatus, and thereby to reconcile the potentially disparate imperatives of sacrament and devotion." "Unique in its combination of current historiography and informed analysis, its attention to the sacramental features of Donne's 'secular' lyrics, and its advancement of sacramental thought as an important element of Renaissance English culture, The Poetry of Immanence illuminates a crucial dimension of the work of two major Stuart writers. In his comprehensive critical readings, Robert Whalen offers a substantial contribution to the increasing study of religious themes and devotion in the literature of the early modern period."--Jacket 606 $aChristian poetry, English$yEarly modern, 1500-1700$xHistory and criticism 606 $aChristianity and literature$zEngland$xHistory$y17th century 606 $aImmanence of God in literature 606 $aLord's Supper in literature 606 $aSacraments in literature 607 $aEngland$2fast 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aChristian poetry, English$xHistory and criticism. 615 0$aChristianity and literature$xHistory 615 0$aImmanence of God in literature. 615 0$aLord's Supper in literature. 615 0$aSacraments in literature. 676 $a821/.3093823 700 $aWhalen$b Robert$f1963-$01695028 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910821010303321 996 $aThe poetry of immanence$94073991 997 $aUNINA