LEADER 03328nam 2200601 450 001 9910820989303321 005 20240131150826.0 010 $a1-4438-6366-1 035 $a(CKB)2550000001329152 035 $a(EBL)1731953 035 $a(SSID)ssj0001414835 035 $a(PQKBManifestationID)12004930 035 $a(PQKBTitleCode)TC0001414835 035 $a(PQKBWorkID)11439933 035 $a(PQKB)10243182 035 $a(Au-PeEL)EBL1731953 035 $a(CaPaEBR)ebr10894556 035 $a(CaONFJC)MIL626101 035 $a(OCoLC)883571114 035 $a(FINmELB)ELB148463 035 $a(MiAaPQ)EBC1731953 035 $a(EXLCZ)992550000001329152 100 $a20140723h20132013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRussian e?migre? culture $econservatism or evolution? /$fedited by Christoph Flamm, Henry Keazor and Roland Marti 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2013. 210 4$dİ 2013 215 $a1 online resource (353 p.) 300 $aIncludes index. 311 $a1-4438-5152-3 311 $a1-306-94850-9 327 $aTABLE OF CONTENTS; PREFACE; "MY LOVE, FORGIVE ME THIS APOSTASY"; SECTION 1; THE PARTICIPATION OF RUSSIAN PRE-REVOLUTIONARY DIPLOMATS IN THE CULTURAL LIFE OF THE RUSSIAN EMIGRATION; [WHAT IS IT THAT THE EMIGRATION ENGENDERED?] -ANDREY BELY, VIKTOR SHKLOVSKY AND ALEKSEY TOLSTOY IN 'RUSSIAN BERLIN'1921-1923; UN ENFANT PRODIGE; SECTION 2; WHAT IS ARTISTIC FORM?MUNICH - MOSCOW 1900-1925; EL LISSITZKY, HIS BEAT THE WHITESWITH THE RED WEDGEAND THEIR JEWISH INSPIRATIONS; RUSSIAN E?MIGRE? ARTISTS IN SERBIA(1920-1950); IDENTITY-SHOCK; SECTION 3 327 $aRUSSIAN COLLECTIVE IDENTITY IN EXILE AND MUSIC IN BERLIN 1917-1933 RUSSIAN MUSIC INSTITUTIONS IN BERLIN IN THE 1920's; "SLAVIC CHARM AND THE SOUL OF TOLSTOY"; STRAVINSKY'S SVADEBKA (1917-1923)AS THE QUINTESSENCE OF THE TECHNIQUE OF "BUILDING BLOCKS"; EURASIANISM IN PERSPECTIVE; MUSICAL MODERNISM IN THE MIRROR OF THE MYASKOVSKY-PROKOF'EV CORRESPONDENCE; VANKA THE HOUSEKEEPER BY NIKOLAY TCHEREPNIN AND LADY MACBETH BY DMITRY SHOSTAKOVICH; "I HAVE NO COUNTRY, I HAVE NO PLACE"; CONTEMPORARY E?MIGRE? COMPOSERS; ABSTRACTS; CONTRIBUTORS; INDEX 330 $aA quarter of a century ago, glasnost opened the door for a new look at Russian e?migre? culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the e?migre? community, of its links with the lost home country, and of the interaction with the cultural life of the c... 606 $aMusic$zSoviet Union$xHistory and criticism 606 $aRussians$xForeign countries 615 0$aMusic$xHistory and criticism. 615 0$aRussians$xForeign countries. 676 $a780.947 702 $aFlamm$b Christoph 702 $aKeazor$b Henry 702 $aMarti$b Roland$f1953- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820989303321 996 $aRussian e?migre? culture$94050991 997 $aUNINA