LEADER 02748nam 2200409 450 001 9910820963803321 005 20230630001153.0 010 $a1-925818-62-4 035 $a(CKB)4100000011809172 035 $a(MiAaPQ)EBC6643550 035 $a(Au-PeEL)EBL6643550 035 $a(OCoLC)1257078722 035 $a(EXLCZ)994100000011809172 100 $a20220705d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBuried not dead $eessays /$fFiona McGregor 210 1$aAustralia :$cGiramondo Publishing Company,$d[2021] 210 4$dİ2021 215 $a1 online resource (145 pages) 311 $a1-925818-60-8 327 $aIntro -- Dedication -- Title Page -- Copyright -- Contents -- Incantations -- Where Your Cabaret Comes From -- Dear Malcolm -- Manifestations -- Looking for Lanny K -- Last Remaining Relative -- The Experience Machine -- Buried Not Dead -- Ocean of Country -- Fabricated Realities -- Not the Story of a Tattooed Girl -- Wicked Women and Whipped Cream -- The Hot Desk -- Crooks and Shadows -- Finales -- Fortress Mardi Gras -- Eleven Lives -- Surro -- Acknowledgements. 330 $aNovelist Fiona McGregor'snew book, Buried Not Dead, is a collection of essays on art, literature and performance, sexuality, activism and the life of the city. It features performance artists, writers, dancers, tattooists and DJs, some of them famous, like Marina Abramovic and Mike Parr, while others, like Latai Taumoepeau, Lanny K and Kathleen Mary Fallon, are important figures but less well known. In her portraits of these performers and artists and the scenes they inhabit, McGregor creates an intimate and expansive archive of a kind rarely recorded in our histories. Fiona McGregor has a deep and enduring involvement in the worlds she represents. She came of age as an artist during an outpouring of performative queer creativity, in a community that celebrated subversion, dissent and uninhibited partygoing, and in her writing she observes the shift from that moment to new forms of cultural repression. McGregor is a participant in her essays as well as a witness -- she sees through an artist's eyes and records what she perceives with a novelist's insight. In excavating the lives of others, she reveals her own, and shows the possibilities that exist beneath the surface of our culture. 606 $aAustralian essays 615 0$aAustralian essays. 676 $a824.3 700 $aMcGregor$b Fiona$f1965-$01651752 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820963803321 996 $aBuried not dead$94001896 997 $aUNINA LEADER 01170oam 2200373zu 450 001 996212717103316 005 20210807003511.0 035 $a(CKB)111085500352380 035 $a(SSID)ssj0000454133 035 $a(PQKBManifestationID)12147466 035 $a(PQKBTitleCode)TC0000454133 035 $a(PQKBWorkID)10487175 035 $a(PQKB)10968699 035 $a(NjHacI)99111085500352380 035 $a(EXLCZ)99111085500352380 100 $a20160829d2004 uy 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$a2004 IEEE International Performance, Computing and Communications Conference 210 31$a[Place of publication not identified]$cI E E E$d2004 215 $a1 online resource (800 pages) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7803-8396-6 606 $aHigh performance computing$vCongresses 615 0$aHigh performance computing 676 $a004.3 801 0$bPQKB 906 $aPROCEEDING 912 $a996212717103316 996 $a2004 IEEE International Performance, Computing and Communications Conference$92521939 997 $aUNISA