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005 20230126213917.0
010   $a1-78320-460-5
035   $a(CKB)3710000000563098
035   $a(EBL)4675595
035   $a(MiAaPQ)EBC4675595
035   $a(Au-PeEL)EBL4675595
035   $a(CaPaEBR)ebr11259148
035   $a(CaONFJC)MIL884565
035   $a(OCoLC)934046528
035   $a(EXLCZ)993710000000563098
100   $a20161006d2015      uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 04$aThe culture of photography in public space /$fedited by Anne Marsh, Melissa Miles and Daniel Palmer
210  1$aBristol :$cIntellect,$d2015.
215   $a1 online resource (196 p.)
225 0 $aIntellect books - critical photography
300   $aDescription based upon print version of record.
311   $a1-78320-459-1 
320   $aIncludes bibliographical references.
327   $aCover; Half-title; Copyright; Title; Contents; Foreword; Acknowledgements; Introduction; REFERENCES; NOTES; Chapter 1: Standing on Shifting Ground: Privacy and Photography in Public; INTRODUCTION; THE "RIGHT" TO PRIVACY AND PHOTOGRAPHY; DEFINING PRIVACY; PRIVACY, THE INDIVIDUAL AND PHOTOGRAPHY; THE CAMERA, THE SELF AND PRIVACY; PHOTOGRAPHY AND ITS PUBLICS; CONCLUSION; REFERENCES; NOTES; Chapter 2: Tilt; Chapter 3: "No Credible Photographic Interest": Photography Restrictions and Surveillance in a Time of Terror; PHOTOGRAPHY AND ANXIETY: SURVEILLANCE AND CONTROL
327   $aNO CREDIBLE PHOTOGRAPHIC INTEREST: IF YOU SEE SOMETHING, SAY SOMETHINGPHOTOGRAPHY RESTRICTIONS AND THE STATUS OF THE CONTEMPORARY EXCEPTION; ARTISTIC AND POLITICAL RESPONSES; CONCLUSION; REFERENCES; NOTES; Chapter 4: Street View/Interface; Chapter 5: Bill Henson and the Polemics of the Nude Child in Photography; ART CONTROVERSIES ABOUT CHILDREN AND SEXUALITY; THE BILL HENSON CONTROVERSY; THE CASE AGAINST; THE CASE FOR; CHILDREN'S RIGHTS: PARTICIPATION VS. PROTECTION; PUBLIC SPACE: THE INVITATION AND THE INTERNET; GENDER, AUTHORSHIP AND PORNOGRAPHY
327   $aBEYOND BINARIES: GENDER AND ART BEYOND HENSONREFERENCES; NOTES; Chapter 6: The Sleepers and Trafalgar Square; Chapter 7: Criminalizing "Camera Fiends": Photography Restrictions in the Age of Digital Reproduction; "CAMERA FIENDS": PHOTOGRAPHY AND ANXIETY IN THE 1800s; ON "THINGS THAT NEED TO BE HIDDEN": THE PUBLIC AND THE PRIVATE; PHOTOGRAPHIC INJURIES; REFERENCES; NOTES; Chapter 8: In the Event of Amnesia the City will Recall; Chapter 9: The Face in Digital Space; FACIAL HISTORY; FACIAL VELOCITY; FACIAL VECTORIZATION; FACIAL PRIVATIZATION; REFERENCES; NOTES
327   $aChapter 10: From Sixteen Google Street ViewsChapter 11: Google Street View and Photography in Public Space; GOOGLE STREET VIEW; PHOTOGRAPHIC RESPONSES TO STREET VIEW; JON RAFMAN: WITNESSING ON STREET VIEW; CONCLUSIONS; REFERENCES; NOTES; Further Reading; Contributors; BackCover
410  0$aIntellect Books - Critical Photography
606   $aPhotography$xPolitical aspects
606   $aPhotography$xSocial aspects
615  0$aPhotography$xPolitical aspects.
615  0$aPhotography$xSocial aspects.
676   $a770
702   $aMarsh$b Anne
702   $aMiles$b Melissa
702   $aPalmer$b Daniel
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910820945803321
996   $aThe culture of photography in public space$94070122
997   $aUNINA