LEADER 03218nam 2200649 450 001 9910820937603321 005 20200520144314.0 010 $a0-8131-3293-2 010 $a0-8131-5919-9 035 $a(CKB)3710000000334020 035 $a(EBL)1915164 035 $a(SSID)ssj0001401829 035 $a(PQKBManifestationID)11798704 035 $a(PQKBTitleCode)TC0001401829 035 $a(PQKBWorkID)11357310 035 $a(PQKB)10608057 035 $a(OCoLC)645849411 035 $a(MdBmJHUP)muse44043 035 $a(Au-PeEL)EBL1915164 035 $a(CaPaEBR)ebr11007408 035 $a(CaONFJC)MIL690994 035 $a(OCoLC)900344356 035 $a(MiAaPQ)EBC1915164 035 $a(EXLCZ)993710000000334020 100 $a20150128h19971997 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDramas of distinction $ea study of plays by Golden Age women /$fTeresa Scott Soufas 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1997. 210 4$dİ1997 215 $a1 online resource (214 p.) 225 1 $aStudies in Romance Languages ;$v42 300 $aDescription based upon print version of record. 311 $a1-322-59712-X 311 $a0-8131-2010-1 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; 1. Comedia, Gender, Convention; 2. Bodies of Authority: El conde Partinuple?s (Caro) and Lafirmeza en la ausencia (Cueva); 3. Marriage Dilemmas: Dichay desdicha del juego and La margarita del Tajo (Azevedo); 4. Carnivalesque Implications: Valor, agravioy mujer (Caro), El muerto disimulado (Azevedo), and La traicio?n en la amistad (Zayas); 5. Locales of Dramaturgy: Tragicomedia los jardines y campos sabeos (Enri?quez ); Conclusion; Notes; Works Cited and Consulted; Index 330 $aRenaissance Europe was the scene of flourishing and innovative dramatic art, and seventeenth-century Spain enjoyed its own Golden Age of the stage. According to traditional studies of this period, however, men seemed to be the only participants. Now in Dramas of Distinction, Teresa Scott Soufas offers the first book-length critical study of five important women playwrights: Angela de Azevedo, Ana Caro Mallen de Soto, Leonor de la Cueva y Silva, Feliciana Enriquez de Guzman, and Marfa de Zayas y Sotomayor.By locating the plays within their period, Soufas avoids universalizing women without reg 410 0$aStudies in Romance languages (Lexington, Ky.) ;$v42. 606 $aSpanish drama$xWomen authors$xHistory and criticism 606 $aSpanish drama$yClassical period, 1500-1700$xHistory and criticism 606 $aWomen and literature$zSpain 615 0$aSpanish drama$xWomen authors$xHistory and criticism. 615 0$aSpanish drama$xHistory and criticism. 615 0$aWomen and literature 676 $a862/.30809287 700 $aSoufas$b Teresa Scott$01696263 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820937603321 996 $aDramas of distinction$94076111 997 $aUNINA