LEADER 03694nam 2200661 a 450 001 9910820889503321 005 20230828204620.0 010 $a0-292-79665-X 024 7 $a10.7560/709423 035 $a(CKB)1000000000457698 035 $a(OCoLC)568502455 035 $a(CaPaEBR)ebrary10190667 035 $a(SSID)ssj0000105801 035 $a(PQKBManifestationID)11127337 035 $a(PQKBTitleCode)TC0000105801 035 $a(PQKBWorkID)10102061 035 $a(PQKB)11008852 035 $a(MiAaPQ)EBC3443084 035 $a(OCoLC)62746098 035 $a(MdBmJHUP)muse2122 035 $a(Au-PeEL)EBL3443084 035 $a(CaPaEBR)ebr10190667 035 $a(OCoLC)889380511 035 $a(DE-B1597)588321 035 $a(DE-B1597)9780292796652 035 $a(EXLCZ)991000000000457698 100 $a20050317d2006 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArt in the cinematic imagination$b[electronic resource] /$fSusan Felleman 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2006 215 $a1 online resource (214 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-70942-0 320 $aIncludes bibliographical references (p. [179]-187) and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction: Baring the Device -- $tCHAPTER 1 The Moving Picture Gallery -- $tCHAPTER 2 A Form of Necrophilia (The Moving Picture Gallery Revisited) -- $tCHAPTER 3 The Birth, Death, and Apotheosis of a Hollywood Love Goddess -- $tCHAPTER 4 Survivors of the Shipwreck of Modernity -- $tCHAPTER 5 Out of Her Element -- $tCHAPTER 6 Playing with Fire -- $tCHAPTER 7 Dirty Pictures, Mud Lust, and Abject Desire: Myths of Origin and the Cinematic Object -- $tNotes -- $tBibliography -- $tIndex 330 $aBringing an art historical perspective to the realm of American and European film, Art in the Cinematic Imagination examines the ways in which films have used works of art and artists themselves as cinematic and narrative motifs. From the use of portraits in Vertigo to the cinematic depiction of women artists in Artemisia and Camille Claudel, Susan Felleman incorporates feminist and psychoanalytic criticism to reveal individual and collective perspectives on sex, gender, identity, commerce, and class. Probing more than twenty films from the postwar era through contemporary times, Art in the Cinematic Imagination considers a range of structurally significant art objects, artist characters, and art-world settings to explore how the medium of film can amplify, reinvent, or recontextualize the other visual arts. Fluently speaking across disciplines, Felleman's study brings a broad array of methodologies to bear on questions such as the evolution of the "Hollywood Love Goddess" and the pairing of the feminine with death on screen. A persuasive approach to an engaging body of films, Art in the Cinematic Imagination illuminates a compelling and significant facet of the cinematic experience. 606 $aArt and motion pictures 606 $aArt in motion pictures 606 $aArtists in motion pictures 606 $aWomen in motion pictures 615 0$aArt and motion pictures. 615 0$aArt in motion pictures. 615 0$aArtists in motion pictures. 615 0$aWomen in motion pictures. 676 $a791.43/657 700 $aFelleman$b Susan$01603970 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820889503321 996 $aArt in the cinematic imagination$93928586 997 $aUNINA