LEADER 04444nam 2200589 450 001 9910820887903321 005 20230207224645.0 010 $a0-231-50283-4 024 7 $a10.7312/cros12724 035 $a(CKB)1000000000457751 035 $a(EBL)909232 035 $a(OCoLC)62117975 035 $a(SSID)ssj0000222644 035 $a(PQKBManifestationID)11208631 035 $a(PQKBTitleCode)TC0000222644 035 $a(PQKBWorkID)10170317 035 $a(PQKB)11127532 035 $a(MiAaPQ)EBC909232 035 $a(DE-B1597)458772 035 $a(OCoLC)979738806 035 $a(DE-B1597)9780231502832 035 $a(Au-PeEL)EBL909232 035 $a(CaONFJC)MIL853876 035 $a(EXLCZ)991000000000457751 100 $a20181228d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe playful crowd $epleasure places in the twentieth century /$fGary S. Cross, John K. Walton 210 1$aNew York :$cColumbia University Press,$d2005. 215 $a1 online resource (321 p.) 300 $aDescription based upon print version of record. 311 $a0-231-12724-3 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tPreface --$tIntroduction --$t1. Making the Popular Resort: Coney Island and Blackpool about 1900 --$t2. Industrial Saturnalia and the Playful Crowd --$t3. The Crowd and its Critics --$t4. Decline and Reinvention: Coney Island and Blackpool --$t5. The Disney Challenge --$t6. "Enrichment through Enjoyment": The Beamish Museum in a Theme Park Age --$t7. The Crowd Transformed? --$tNotes --$tIndex 330 $aDuring the first part of the twentieth century thousands of working-class New Yorkers flocked to Coney Island in search of a release from their workaday lives and the values of bourgeois society. On the other side of the Atlantic, British workers headed off to the beach resort of Blackpool for entertainment and relaxation. However, by the middle of the century, a new type of park began to emerge, providing well-ordered, squeaky-clean, and carefully orchestrated corporate entertainment. Contrasting the experiences of Coney Island and Blackpool with those of Disneyland and Beamish, Gary S. Cross and John K. Walton explore playful crowds and the pursuit of pleasure in the twentieth century to offer a transatlantic perspective on changing ideas about leisure, class, and mass culture. Blackpool and Coney Island were the definitive playgrounds of the industrial working class. Teeming crowds partook of a gritty vulgarity that offered a variety of pleasures and thrills from roller coaster rides and freak shows to dance halls and dioramas of exotic locales. Responding to the new money and mobility of the working class, the purveyors of Coney Island and Blackpool offered the playful crowd an "industrial saturnalia."Cross and Walton capture the sights and sounds of Blackpool and Coney Island and consider how these "Sodoms by the sea" flouted the social and cultural status quo. The authors also examine the resorts' very different fates as Coney Island has now become a mere shadow of its former self while Blackpool continues to lure visitors and offer new attractions. The authors also explore the experiences offered at Disneyland and Beamish, a heritage park that celebrates Britain's industrial and social history. While both parks borrowed elements from their predecessors, they also adapted to the longings and concerns of postwar consumer culture. Appealing to middle-class families, Disney provided crowds a chance to indulge in child-like innocence and a nostalgia for a simpler time. At Beamish, crowds gathered to find an escape from the fragmented and hedonistic life of modern society in a reconstructed realm of the past where local traditions and nature prevail. 606 $aAmusement parks$xSocial aspects$zUnited States$xHistory$y20th century 606 $aAmusement parks$xSocial aspects$zEngland$xHistory$y20th century 615 0$aAmusement parks$xSocial aspects$xHistory 615 0$aAmusement parks$xSocial aspects$xHistory 676 $a791/.06873/0904 700 $aCross$b Gary S.$0128517 702 $aWalton$b John K. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820887903321 996 $aThe playful crowd$93928571 997 $aUNINA