LEADER 03565nam 2200661Ia 450 001 9910820862703321 005 20200520144314.0 010 $a1-135-87830-7 010 $a1-280-10683-2 010 $a0-203-99775-1 035 $a(CKB)1000000000254942 035 $a(EBL)235400 035 $a(OCoLC)252952208 035 $a(SSID)ssj0000194891 035 $a(PQKBManifestationID)11183924 035 $a(PQKBTitleCode)TC0000194891 035 $a(PQKBWorkID)10241360 035 $a(PQKB)10348673 035 $a(MiAaPQ)EBC235400 035 $a(Au-PeEL)EBL235400 035 $a(CaPaEBR)ebr10094794 035 $a(CaONFJC)MIL10683 035 $a(EXLCZ)991000000000254942 100 $a20041228d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe lure of perfection $efashion and ballet, 1780-1830 /$fJudith Chazin-Bennahum 205 $a1st ed. 210 $aNew York $cRoutledge$d2005 215 $a1 online resource (294 p.) 300 $aDescription based upon print version of record. 311 $a0-415-97038-5 311 $a0-415-97037-7 320 $aIncludes bibliographical references (p. 263-271) and index. 327 $aFront Cover; The Lure of Perfection; Copyright Page; Contents; Captions; Acknowledgments; Preface: Violette Verdy; Introduction; Chapter 1. Setting the Stage: Aristocratic Fashion and Baroque Body Politics before the French Revolution; Chapter 2. Reformers and Philosophes as Forerunners of the Revolution in Fashion; Chapter 3. The Moderate and the Outrageous; Chapter 4. Neoclassicism: 1780-1820; Chapter 5. The Consulate (1799-1804) and the Empire (1804-1815) of Napole?on: Imperial Designs Pervade Street and Stage Fashion 327 $aChapter 6. Restoration-One Bourbon Returns!: Louis XVIII and the Restoration (1815-1824)Chapter 7. Pale Goddesses on the Street during the Romantic Movement: Charles X Ruled France from 1824-1830; Chapter 8. The Kingdom of the Opera: Pale Goddesses on the Stage (1824-1830); Chapter 9. The Turning Point: "The Ballet of the Nuns" and La Sylphide; Chapter 10. The Dark Side of White; Conclusion; Endnotes; Chronology; Bibliography; Index 330 $aTHE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on st 606 $aBallet$xCostume$zFrance$xHistory$y19th century 606 $aBallet$xCostume$zFrance$xHistory$y18th century 606 $aFashion$xSocial aspects$zFrance$xHistory$y19th century 606 $aFashion$xSocial aspects$zFrance$xHistory$y18th century 615 0$aBallet$xCostume$xHistory 615 0$aBallet$xCostume$xHistory 615 0$aFashion$xSocial aspects$xHistory 615 0$aFashion$xSocial aspects$xHistory 676 $a792.8/4 676 $a792.84 700 $aChazin-Bennahum$b Judith$01613011 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820862703321 996 $aThe lure of perfection$93942700 997 $aUNINA