LEADER 00820nam0-22002771i-450- 001 990001678930403321 005 20160222123128.0 035 $a000167893 035 $aFED01000167893 035 $a(Aleph)000167893FED01 035 $a000167893 100 $a20030910d19261928km-y0itay50------ba 101 0 $adut 200 1 $aItaliaansch Handwoordenboek$eItaliaansch-Nederlandsch e Nederlandsch- Italiaansch$fBeniamino Dentici 210 $aGouda$cG. B. van Goor Zonen$d1926-1928 215 $a2 v.$d16 cm 610 0 $aLingua olandese$aDizionari 676 $a439.3 700 1$aDentici,$bBeniamino$072349 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001678930403321 952 $a60 490 C 1$b33275$fFAGBC 959 $aFAGBC 996 $aItaliaansch Handwoordenboek$9370920 997 $aUNINA LEADER 04474nam 2200541 450 001 9910820749903321 005 20231130150555.0 010 $a1-119-13623-7 010 $a1-119-13620-2 035 $a(CKB)3710000000648544 035 $a(EBL)4505417 035 $a(MiAaPQ)EBC4505417 035 $a(EXLCZ)993710000000648544 100 $a20160519h20162016 uy 0 101 0 $aeng 135 $aur|n#|||||||| 181 $2rdacontent 181 $csti$2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMeggs' history of graphic design /$fPhilip B. Meggs, Alston W. Purvis 205 $a6th ed. 210 1$aHoboken, New Jersey :$cWiley,$d2016. 210 4$d©2016 215 $a1 online resource (682 pages) : illustrations (some colour) 300 $aDescription based upon print version of record. 311 $a1-118-77205-9 320 $aIncludes bibliographical references and index. 327 $aHistory of Graphic Design ; Contents; Preface; Preface to the First Edition; Acknowledgments; Part I The Prologue to Graphic Design ; The visual message from prehistory through the medieval era ; The Invention of Writing; Prehistoric visual communications; The cradle of civilization; The earliest writing; Mesopotamian visual identification; Egyptian hieroglyphs; Papyrus and writing; The first illustrated manuscripts; Egyptian visual identification; Alphabets; Cretan pictographs; The North Semitic alphabet; The Aramaic alphabet and its descendants; The Greek alphabet; The Latin alphabet 327 $aThe Korean alphabet The Asian Contribution; Chinese calligraphy; The invention of paper; The discovery of printing; The invention of movable type; Illuminated Manuscripts; The classical style; Celtic book design; The Caroline graphic renewal; Spanish pictorial expressionism; Romanesque and Gothic manuscripts; Judaic manuscripts; Islamic manuscripts; Late medieval illuminated manuscripts; Part II A Graphic Renaissance ; The origins of European typography and design for printing ; Printing Comes to Europe; Early European block printing; Movable typography in Europe; Copperplate engraving 327 $aThe German Illustrated Book Origins of the illustrated typographic book; Nuremberg becomes a printing center; Typography spreads from Germany; Renaissance Graphic Design; Graphic design of the Italian Renaissance; Italian writing masters; Innovation passes to France; Basel and Lyons become design centers; The seventeenth century; An Epoch of Typographic Genius ; Graphic design of the rococo era; Caslon and Baskerville; The origins of information graphics; The imperial designs of Louis Rene? Luce; The modern style; The illuminated printing of William Blake; The epoch closes 327 $aPart III The Bridge to the Twentieth CenturyThe Industrial Revolution: The impact of industrial technology upon visual communications ; Graphic Design and the Industrial Revolution ; Innovations in typography; The wood-type poster; A revolution in printing; The mechanization of typography; Photography, the new communications tool; The inventors of photography; The application of photography to printing; Defining the medium; Photography as reportage; Popular graphics of the Victorian era; The development of lithography; The Boston school of chromolithography 327 $aThe design language of chromolithographyThe battle on the signboards; Images for children; The rise of American editorial and advertising design; Victorian typography; The Arts and Crafts Movement and Its Heritage; The Century Guild; The Kelmscott Press; The private press movement; A book-design renaissance; Art Nouveau; The influence of ukiyo-e; Art nouveau; Che?ret and Grasset; English art nouveau; The further development of French art nouveau; Art nouveau comes to America; Innovation in Belgium and the Netherlands; The German Jugendstil movement; The Italian pictorial tradition 327 $aThe Genesis of Twentieth-Century Design 606 $aGraphic design (Typography)$xHistory 606 $aBook design$xHistory 615 0$aGraphic design (Typography)$xHistory. 615 0$aBook design$xHistory. 676 $a686.2209 700 $aMeggs$b Philip B.$01657848 702 $aPurvis$b Alston W.$f1943- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820749903321 996 $aMeggs' history of graphic design$94011499 997 $aUNINA LEADER 01511nas 2200409-a 450 001 996321522103316 005 20240413025501.0 011 $a1982-8136 035 $a(DE-599)ZDB2639645-2 035 $a(CKB)991042728099646 035 $a(CONSER)--2002354369 035 $a(EXLCZ)99991042728099646 100 $a20020826a19979999 --r - 101 0 $apor 200 00$aDebates do NER $epublicação do Núcleo de Estudos da Religião do Programa de Pós-Graduação em Antropologia Social da Universidade Federal do Rio Grande do Sul 210 $aPorto Alegre $cO Núcleo$d1997- 215 $a1 online resource 300 $aRefereed/Peer-reviewed 300 $aEach issue has also a distinctive title. 311 08$aPrint version: Debates do NER : 1519-843X (DLC) 2002354369 (OCoLC)50482173 517 1 $aDebates do Núcleo de Estudos da Religião 531 0 $aDebates NEW 606 $aEthnology$xReligious aspects$vPeriodicals 606 $aReligion$vPeriodicals 606 $aEthnology$xReligious aspects$2fast$3(OCoLC)fst00916150 606 $aReligion$2fast$3(OCoLC)fst01093763 608 $aPeriodicals.$2fast 615 0$aEthnology$xReligious aspects 615 0$aReligion 615 7$aEthnology$xReligious aspects. 615 7$aReligion. 712 02$aUniversidade Federal do Rio Grande do Sul.$bNúcleo de Estudos da Religião. 906 $aJOURNAL 912 $a996321522103316 920 $aexl_impl conversion 996 $aDebates do NER$92016895 997 $aUNISA