LEADER 03071nam 2200769 450 001 9910462665003321 005 20200520144314.0 010 $a1-61451-371-6 024 7 $a10.1515/9781614513711 035 $a(CKB)2670000000431185 035 $a(EBL)1249798 035 $a(OCoLC)858761876 035 $a(SSID)ssj0001001658 035 $a(PQKBManifestationID)11534014 035 $a(PQKBTitleCode)TC0001001658 035 $a(PQKBWorkID)10967612 035 $a(PQKB)10740685 035 $a(MiAaPQ)EBC1249798 035 $a(DE-B1597)210286 035 $a(OCoLC)858846678 035 $a(OCoLC)979748134 035 $a(DE-B1597)9781614513711 035 $a(Au-PeEL)EBL1249798 035 $a(CaPaEBR)ebr10786161 035 $a(CaONFJC)MIL806543 035 $a(EXLCZ)992670000000431185 100 $a20130922h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aContact languages $ea comprehensive guide /$fedited by Peter Bakker, Yaron Matras 210 1$aBerlin :$cDe Gruyter Mouton,$d[2013] 210 4$dİ2013 215 $a1 online resource (452 p.) 225 0 $aLanguage Contact and Bilingualism [LCB] ;$v6 225 0$aLanguage contact and bilingualism ;$v6 300 $aDescription based upon print version of record. 311 $a1-61451-476-3 320 $aIncludes bibliographies and index. 327 $aIntroduction -- Pidgins -- Creole Languages -- Mixed Languages -- Multi-ethnolects: Kebabnorsk, Perkerdansk, Verlan, Kanakensprache, Straattaal, Etc. -- Written Language Intertwining -- Issues in the Genetic Classification Of Contact Languages -- Social Factors in Contact Languages -- Subject Index -- Languages and Geography Index -- Author Index. 330 $aThis volume deals with several types of contact languages: pidgins, creoles, mixed languages, and multi-ethnolects. It also approaches contact languages from two perspectives: an historical linguistic perspective, more specifically from a viewpoint of genealogical linguistics, language descent and linguistic family tree models; and a sociolinguistic perspective, identifying specific social contexts in which contact languages emerge. 410 0$aLanguage Contact and Bilingualism [LCB] 606 $aHyperborean languages 606 $aLanguage and languages$xForeign elements 606 $aLanguages in contact 606 $aLanguages, Mixed 606 $aMultilingualism 608 $aElectronic books. 615 0$aHyperborean languages. 615 0$aLanguage and languages$xForeign elements. 615 0$aLanguages in contact. 615 0$aLanguages, Mixed. 615 0$aMultilingualism. 676 $a417.22 676 $a417/.22 686 $aES 555$2rvk 701 $aBakker$b Peter$f1959-$0956679 701 $aMatras$b Yaron$f1963-$0183842 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462665003321 996 $aContact languages$92476761 997 $aUNINA LEADER 04354nam 2200673 a 450 001 9910451694003321 005 20200520144314.0 010 $a1-281-13990-4 010 $a9786611139902 010 $a0-387-72972-0 024 7 $a10.1007/978-0-387-72972-5 035 $a(CKB)1000000000492334 035 $a(EBL)337828 035 $a(OCoLC)437206576 035 $a(SSID)ssj0000111962 035 $a(PQKBManifestationID)11132998 035 $a(PQKBTitleCode)TC0000111962 035 $a(PQKBWorkID)10081229 035 $a(PQKB)10870134 035 $a(DE-He213)978-0-387-72972-5 035 $a(MiAaPQ)EBC337828 035 $a(PPN)123736773 035 $a(Au-PeEL)EBL337828 035 $a(CaPaEBR)ebr10217696 035 $a(CaONFJC)MIL113990 035 $a(EXLCZ)991000000000492334 100 $a20070625d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBiological low-voltage scanning electron microscopy$b[electronic resource] /$fedited by Heide Schatten, James B. Pawley 205 $a1st ed. 2008. 210 $aNew York $cSpringer$dc2008 215 $a1 online resource (328 p.) 300 $aDescription based upon print version of record. 311 $a1-4899-9584-6 311 $a0-387-72970-4 320 $aIncludes bibliographical references and index. 327 $aThe Early Development of the Scanning Electron Microscope -- LVSEM for Biology -- The Aberration-Corrected SEM -- Noise and Its Effects on the Low-Voltage SEM -- High-Resolution, Low Voltage, Field-Emission Scanning Electron Microscopy (HRLVFESEM) Applications for Cell Biology and Specimen Preparation Protocols -- Molecular Labeling for Correlative Microscopy: LM, LVSEM, TEM, EF-TEM and HVEM -- Low kV and Video-Rate, Beam-Tilt Stereo for Viewing Live-Time Experiments in the SEM -- Cryo-SEM of Chemically Fixed Animal Cells -- High-Resolution and Low-Voltage SEM of Plant Cells -- High-Resolution Cryoscanning Electron Microscopy of Biological Samples -- Developments in Instrumentation for Microanalysis in Low-Voltage Scanning Electron Microscopy. 330 $aField-emission, low-voltage scanning electron microscopy (LVSEM) is a field that has grown tremendously in recent years because is offers the optimal method for viewing complex surfaces at high resolution and in three dimensions. However, even though the instrumentation required to get good results at low beam voltage has become increasingly available, there has been a lag in its application to biological specimens. What seemed to be missing was volume that combined both the theory and practice of using this equipment in an optimal manner with a thorough treatment of biological specimen preparation. Biological Low-Voltage Scanning Electron Microscopy is the first book to address both of these aspects of biological LVSEM. After providing a thorough description of the unique advantages and the operating constraints related to operating a scanning electron microscope at low beam voltage, the remainder of book focuses on the the best way to image all types of plant and animal cells and covers specimens that range from macromolecules to the surfaces revealed by de-embedding resin-embedded samples. Advanced specimen preparation techniques such as cryo-LVSEM, and immuno-gold-LVSEM are fully covered, as is x-ray microanalysis at low beam voltage and live-time stereo imaging. The preparative protocols provided represent the distilled essence of the experience of a group of world-renowned authors who have, for many decades, been instrumental in developing and applying new approaches to LVSEM to support their own biological research. 606 $aLow-voltage scanning electron microscopy 606 $aField emission cathodes 606 $aScanning electron microscopes 608 $aElectronic books. 615 0$aLow-voltage scanning electron microscopy. 615 0$aField emission cathodes. 615 0$aScanning electron microscopes. 676 $a570.2825 701 $aSchatten$b Heide$0899576 701 $aPawley$b James B$0306051 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451694003321 996 $aBiological low-voltage scanning electron microscopy$92009982 997 $aUNINA LEADER 05422nam 2200709 450 001 9910820708703321 005 20231110222553.0 010 $a1-118-71310-9 010 $a1-118-71291-9 010 $a1-118-71308-7 035 $a(CKB)2550000001165618 035 $a(EBL)1565909 035 $a(OCoLC)864414829 035 $a(SSID)ssj0001060494 035 $a(PQKBManifestationID)12434278 035 $a(PQKBTitleCode)TC0001060494 035 $a(PQKBWorkID)11087824 035 $a(PQKB)10078094 035 $a(MiAaPQ)EBC1565909 035 $a(Au-PeEL)EBL1565909 035 $a(CaPaEBR)ebr10809698 035 $a(CaONFJC)MIL546886 035 $a(MiAaPQ)EBC7103980 035 $a(Au-PeEL)EBL7103980 035 $a(JP-MeL)3000111843 035 $a(EXLCZ)992550000001165618 100 $a20131209d2014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWorld cinema through global genres /$fWilliam V. Costanzo 210 1$aChichester, England :$cWiley-Blackwell,$d2014. 210 4$d2014 215 $a1 online resource (451 p.) 225 1 $aNew York Academy of Sciences 300 $aDescription based upon print version of record. 311 $a1-118-71292-7 311 $a1-306-15635-1 327 $aWorld Cinema through Global Genres; Copyright; Contents; Preface; Acknowledgments; How to Use This Book; Introduction; Unit I The Warrior Hero; Chapter 1 The Warrior Hero; The Western Hero and the Samurai; Men with Guns: The Western Hero; Men with Swords: The Samurai Tradition; Enchanted Swords and Flying Fists: Wuxia and Kung Fu; Evolution of the Wuxia Hero; Zhang Yimou's "Hero" and Chinese Aesthetics; The Kung Fu Craze Begins; Hong Kong's Movie Industry Comes of Age; Kung Fu, Wuxia, and the Aesthetics of Action; Filmography; Notes; Further Reading; Deep Focus on Chinese Cinemas 327 $aThe Three Chinas Crouching Tiger, Hidden Dragon: The Making of a Transnational Chinese-Language Film; Notes; Further Reading; Close-up The Magnificent Seven; Questions; Notes; Further Reading and Other Media; Close-up Seven Samurai; Questions; Note; Further Reading; Close-up Sholay; Questions; Note; Further Reading; Close-up Way of the Dragon; Questions; Notes; Unit II The Weeding Film; Chapter 2 The Wedding Film; Questions of Genre and Myth; Every Girl's Dream, Every Father's Nightmare; Wedding Movies as Romantic Comedy; Best Friends, Buddies, and Other Wedding Saboteurs 327 $aBlack Comedy and Dysfunctional Families: Wedding Films as Social Satire Arab Brides on the Border; Rites of Passage, Icons of Success: The Mythology of Wedding Films; Comparative Weddings 101; Towards a Definition of the Genre; Filmography; Notes; Further Reading; Deep Focus on Indian Cinemas; Classical Indian Cinema; History, Politics, and the Indian Film; Native Aesthetics; Song, Saris, Dance, and Stars; Questions of Influence; Bollywood in the 1990's: Hum Aapke Hain Koun...!and Family Wedding Films; Bride and Prejudice: The Indian Diaspora and Beyond; Global Bollywood and the Wedding Myth; Notes 327 $aFurther Reading Close-up My Big Fat Greek Wedding; Questions; Notes; Close-up Monsoon Wedding; Questions; Notes; Close-up The Wedding Banquet; Questions; Notes; Close-up Wedding in Galilee; Questions; Notes; Unit III The Horror Film; Chapter 3 The Horror Film; Why We Watch Horror Films: The Thrill of Fear; Vampires: The Evolution of a Monster; Gothic Ghosts and Grand Guignol Gore; Soundless Screams on Silent Screens; The 1930's: Universal's Classic Monsters; The 1940's: World War II and Horror Noir; The 1950's: Creature Features and the Cold War 327 $aThe 1960's: Psychos and Zombies, Civil Rights and Vietnam The 1970's: Stalking the American Family; The 1980's: Hauntings and Howlings in the Age of Reagan; The 1990's: Postmodern Horror and Supernatural Realismat the End of the Millennium; The New Millennium: Horror to the Extreme; Filmography; Notes; Further Reading; Deep Focus on Japanese Cinemas; Early History and Culture; Genres and Aesthetics; Anime; J-Horror; Notes; Further Reading; Close-up Halloween; Questions; Notes; Further Reading; Close-up Suspiria; Questions; Notes; Further Reading; Close-up The Devil's Backbone; Questions; Notes 327 $aFurther Reading 330 $aWorld Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A "deep focus" section in each 410 0$aNew York Academy of Sciences 606 $aMotion pictures$xStudy and teaching 606 $aFilm genres 615 0$aMotion pictures$xStudy and teaching. 615 0$aFilm genres. 676 $a791.43071 686 $aPER004030$2bisacsh 700 $aCostanzo$b William V$01696329 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820708703321 996 $aWorld cinema through global genres$94076213 997 $aUNINA