LEADER 04579oam 22006975 450 001 9910793811903321 005 20231207231138.0 010 $a1-5017-3408-3 024 7 $a10.7591/9781501734083 035 $a(CKB)4100000009940495 035 $a(DE-B1597)533983 035 $a(OCoLC)1129213682 035 $a(DE-B1597)9781501734083 035 $a(MiAaPQ)EBC6525366 035 $a(Au-PeEL)EBL6525366 035 $a(EXLCZ)994100000009940495 100 $a20191126d2019 fy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aStaging reform, reforming the stage $eProtestantism and popular theater in Early Modern England /$fHuston Diehl 210 1$aIthaca, NY :$cCornell University Press,$d[2019] 210 4$dİ1997 215 $a1 online resource (256 pages) $c16 halftones 311 0 $a0-8014-3303-7 320 $aIncludes bibliography and index. 327 $tFrontmatter --$tContents --$tIllustrations --$tAcknowledgments /$rDiehl, Huston --$tA Note on Editorial Practice --$tIntroduction --$t1. The Drama of Iconoclasm --$t2. The Rhetoric of Reform --$t3. Censoring the Imaginary: The Wittenberg Tragedies --$t4. Rehearsing the Eucharistic Controversies: The Revenge Tragedies --$t5. Ocular Proof in the Age of Reform: Othello --$t6. Iconophobia and Gynophobia: The Stuart Love Tragedies --$t7. The Rhetoric of Witnessing: The Duchess of Malfi --$tEpilogue --$tBibliography --$tIndex 330 $aHuston Diehl sees Elizabethan and Jacobean drama as both a product of the Protestant Reformation-a reformed drama-and a producer of Protestant habits of thought-a reforming drama. According to Diehl, the popular London theater, which flourished in the years after Elizabeth reestablished Protestantism in England, rehearsed the religious crises that disrupted, divided, energized, and in many respects revolutionized English society. Drawing on the insights of symbolic anthropologists, Diehl explores the relationship between the suppression of late medieval religious cultures, with their rituals, symbols, plays, processions, and devotional practices, and the emergence of a popular theater under the Protestant monarchs Elizabeth and James. Questioning long-held assumptions that the reformed religion was inherently antitheatrical, she shows how the reformers invented new forms of theater, even as they condemned a Roman Catholic theatricality they associated with magic, sensuality, and duplicity. Using as her central texts the tragedies of Thomas Kyd, Christopher Marlowe, William Shakespeare, Thomas Middleton, and John Webster, Diehl maintains that plays of the period reflexively explore their own power to dazzle, seduce, and deceive. Employing a reformed rhetoric that is both powerful and profoundly disturbing, they disrupt their own stunning spectacles. Out of this creative tension between theatricality and antitheatricality emerges a distinctly Protestant aesthetic. 606 $aEnglish drama (Tragedy)$xHistory and criticism 606 $aEnglish drama$y17th century$xHistory and criticism 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aProtestantism and literature$xHistory$y16th century 606 $aProtestantism and literature$xHistory$y17th century 606 $aRenaissance$zEngland 606 $aTheater$zEngland$xHistory$y16th century 606 $aTheater$zEngland$xHistory$y17th century 606 $aMedieval & Renaissance Studies 606 $aPerforming Arts & Drama 606 $aDRAMA / Medieval$2bisacsh 610 $athe aftermath of Nagasaki, Hiroshima, atomic bombs, disaster recovery, nuclear attacks, atomic bomb survivors. 615 0$aEnglish drama (Tragedy)$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 615 0$aProtestantism and literature$xHistory 615 0$aProtestantism and literature$xHistory 615 0$aRenaissance 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 4$aMedieval & Renaissance Studies. 615 4$aPerforming Arts & Drama. 615 7$aDRAMA / Medieval. 676 $a822/.051209382 700 $aDiehl$b Huston$f1948-$4aut$4http://id.loc.gov/vocabulary/relators/aut$01500356 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910793811903321 996 $aStaging reform, reforming the stage$93765664 997 $aUNINA LEADER 01111nam 2200397 450 001 9910820685703321 005 20230823000659.0 010 $a981-14-5779-4 035 $a(CKB)4100000011465721 035 $a(MiAaPQ)EBC6371158 035 $a(EXLCZ)994100000011465721 100 $a20210301d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFrontiers in computational chemistry$hVolume 5 /$fedited by Zaheer Ul-Haq & Angela K. Wilson 210 1$aSingapore :$cBentham Books,$d[2020] 210 4$dİ2020 215 $a1 online resource (273 pages) 311 $a981-14-5777-8 606 $aChemistry 606 $aComputational chemistry 615 0$aChemistry. 615 0$aComputational chemistry. 676 $a540 702 $aUl-Haq$b Zaheer 702 $aWilson$b Angela K. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820685703321 996 $aFrontiers in computational chemistry$93921588 997 $aUNINA