LEADER 04052nam 2200697Ia 450 001 9910820550803321 005 20240313030227.0 010 $a3-0346-0887-X 024 7 $a10.1515/9783034608879 035 $a(CKB)2670000000308982 035 $a(EBL)1020525 035 $a(OCoLC)822024969 035 $a(SSID)ssj0000784665 035 $a(PQKBManifestationID)12327844 035 $a(PQKBTitleCode)TC0000784665 035 $a(PQKBWorkID)10764469 035 $a(PQKB)11060288 035 $a(MiAaPQ)EBC1020525 035 $a(DE-B1597)206040 035 $a(OCoLC)948655514 035 $a(OCoLC)979631655 035 $a(DE-B1597)9783034608879 035 $a(Au-PeEL)EBL1020525 035 $a(CaPaEBR)ebr10634519 035 $a(CaONFJC)MIL804746 035 $a(EXLCZ)992670000000308982 100 $a20090609d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPattern $eornament, structure, and behavior /$fedited by Andrea Gleiniger and Georg Vrachliotis 205 $a1st ed. 210 $aBasel ;$aBoston $cBirkhauser$dc2009 215 $a1 online resource (108 p.) 225 0$aContext architecture 300 $aDescription based upon print version of record. 311 $a3-03821-077-3 311 $a3-7643-8954-0 320 $aIncludes bibliographical references. 327 $tFront matter --$tInhalt --$tEDITORIAL /$rGleiniger, Andrea / Vrachliotis, Georg --$tNEW PATTERNS? OLD PATTERNS? - ON THE EMOTIONAL APPEAL OF ORNAMENT /$rGleiniger, Andrea --$t"AND IT WAS OUT OF THAT THAT I BEGAN DREAMING ABOUT PATTERNS..." ON THINKING IN STRUCTURES, DESIGNING WITH PATTERNS, AND THE DESIRE FOR BEAUTY AND MEANING IN ARCHITECTURE /$rVrachliotis, Georg --$tARCHITECTURAL ALGORITHMS AND THE RENAISSANCE OF THE DESIGN PATTERN /$rScheurer, Fabian --$tWAYFINDING STRATEGIES AND BEHAVIORAL PATTERNS IN BUILT SPACES /$rHölscher, Christoph --$tPATTERNS IN THE BRAIN NEUROSCIENTIFIC NOTES ON THE PATTERN CONCEPT /$rChristen, Markus --$tREGULAR IRREGULAR - ON THE FLEETING QUALITY OF PATTERN IN CONTEMPORARY MUSIC /$rMundry, Isabel --$tSELECTED LITERATURE --$tILLUSTRATION CREDITS --$tBIOGRAPHIES 330 $aAs models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament - and hence pattern as well - was abolished by the avant-garde in the first half of the twentieth century, but the notion of pattern has taken on new meaning and importance since the 1960's. Complexity research has ultimately shown that even highly complex, dynamic patterns may be based on simple behavioral rules, and that has allowed the notions of pattern and pattern formation to take on new meanings, that are also central for architecture. Today the use of generative computerized methods is opening up new ways of talking about an idea that is becoming increasingly abstract and dynamic. Pattern explores the question: what are the notions of pattern that must be discussed in the context of contemporary architecture? 330 $aComplex patterns are founded on simple rules. Pattern and pattern formation are of new, important significance as the fundamental principles of systematization and description of very complex processes and phenomena. Which idea of pattern has to be used in the architectural discourse today? 606 $aArchitecture 606 $aRepetitive patterns (Decorative arts) 606 $aArchitecture$xPhilosophy 615 0$aArchitecture. 615 0$aRepetitive patterns (Decorative arts) 615 0$aArchitecture$xPhilosophy. 676 $a745.4 676 $a729.01 701 $aGleiniger$b Andrea$01613161 701 $aVrachliotis$b Georg$01613162 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820550803321 996 $aPattern$94066858 997 $aUNINA