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010   $a9786612581847
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035   $a(OCoLC)638859977
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100   $a20041103d2005      uy         0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 00$aStan Brakhage $efilmmaker /$fedited by David E. James
205   $a1st ed.
210   $aPhiladelphia $cTemple University Press$d2005
215   $a1 online resource (250 p.)
225 1 $aWide angle books
300   $aDescription based upon print version of record.
311   $a1-59213-272-3 
311   $a1-59213-271-5 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction: Stan Brakhage: The Activity of His Nature / David E. James; Stan Brakhage / Parker Tyler; Brakhage. Breer. Menken. The Pure Poets of Cinema / Jonas Mekas; Brakhage and Rilke / Jerome Hill; On The Art of Vision / Robert Kelly; The First Time I Heard the Word ""Brakhage"" / Edward Dorn; Camera Lucida/Camera Obscura / Annette Michelson; Brakhage Memoir / James Tenney; Amateurs in the Industry Town: Stan Brakhage and Andy Warhol in Los Angeles / David E. James; It Is Painting / Carolee Schneemann; Brakhage: Poesis / R. Bruce Elder
327   $aRecollections of Stan Brakhage / Jonas Mekas The Roman Numeral Series / Nicky Hamlyn; Letter re: Stan / Bruce Baillie; Stan Brakhage, Agrimoniac / Craig Dworkin; Brakhage Package / Chick Strand; Brakhage's Faustian Psychodrama / P. Adams Sitney; Stan Brakhage: American Visionary / Willie Varela; Brakhage's Occasions: Figure, Subjectivity, and Avant-Garde Politics / Tyrus Miller; Notes on Sincerity and Irony / Abigail Child; Becoming Dark with Excess of Light: The Vancouver Island Films / Paul Arthur; As I Am Writing This Today / Phil Solomon; Contributors; Index
330   $aStan Brakhage: Filmmaker is a collection of essays, photographs, personal statements, and reminiscences about the celebrated avant-garde filmmaker who died in 2003. The director of nearly four hundred short films, including Dog Star Man, Parts I-IV, and the Roman Numeral Series, Brakhage is widely recognized as one of the great artists of the medium. His shorts eschewed traditional narrative structure, and his innovations in fast cutting, hand-held camerawork, and multiple super impositions created an unprecedentedly rich texture of images that provided the vocabulary
410  0$aWide angle books.
606   $aMotion picture producers and directors$vBiography
615  0$aMotion picture producers and directors
676   $a791.4302/33/092
701   $aJames$b David E.$f1945-$01605250
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910820550103321
996   $aStan Brakhage$93949271
997   $aUNINA