LEADER 03947nam 2201057 a 450 001 9910786175403321 005 20230126210124.0 010 $a0-520-95532-3 024 7 $a10.1525/9780520955325 035 $a(CKB)2670000000324869 035 $a(EBL)1105926 035 $a(OCoLC)823577505 035 $a(SSID)ssj0000803666 035 $a(PQKBManifestationID)11438459 035 $a(PQKBTitleCode)TC0000803666 035 $a(PQKBWorkID)10811247 035 $a(PQKB)10048779 035 $a(StDuBDS)EDZ0000155603 035 $a(MiAaPQ)EBC1105926 035 $a(OCoLC)833386508 035 $a(MdBmJHUP)muse31061 035 $a(DE-B1597)519297 035 $a(DE-B1597)9780520955325 035 $a(Au-PeEL)EBL1105926 035 $a(CaPaEBR)ebr10642601 035 $a(CaONFJC)MIL423759 035 $a(EXLCZ)992670000000324869 100 $a20120628d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNew Orleans suite$b[electronic resource] $emusic and culture in transition /$fLewis Watts and Eric Porter 210 $aBerkeley $cUniversity of California Press$dc2013 215 $a1 online resource (225 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27388-5 311 $a0-520-27387-7 320 $aIncludes bibliographical references and index. 327 $aNew Orleans, America, music -- Reflections on Jazz Fest 2006 -- Parading against violence -- Reconstruction's soundtrack -- To reinvent life. 330 $aWith New Orleans Suite, Eric Porter and Lewis Watts join the post-Katrina conversation about New Orleans and its changing cultural scene. Using both visual evidence and the written word, Watts and Porter pay homage to the city, its region, and its residents, by mapping recent and often contradictory social and cultural transformations, and seeking to counter inadequate and often pejorative accounts of the people and place that give New Orleans its soul. Focusing for the most part on the city's African American community, New Orleans Suite is a story about people: how bad things have happened to them in the long and short run, how they have persevered by drawing upon and transforming their cultural practices, and what they can teach us about citizenship, politics, and society. 606 $aPopular music$xSocial aspects$zLouisiana$zNew Orleans 606 $aHurricane Katrina, 2005$xSocial aspects 610 $aafrican american. 610 $aamerican community. 610 $aanthropology. 610 $aartists. 610 $aaudience. 610 $abiopolitical. 610 $abrass band. 610 $acitizenship. 610 $acity life. 610 $acongo square. 610 $acreole. 610 $acreolization. 610 $acrowded cities. 610 $acultural practices. 610 $acultural scene. 610 $acultural transformations. 610 $acultural. 610 $aengaging. 610 $aentertainment industry. 610 $ahistorical. 610 $ahistory. 610 $ahurricane katrina. 610 $ajazz music. 610 $amusic history. 610 $amusic. 610 $anew orleans. 610 $apage turner. 610 $aperforming arts. 610 $apop culture. 610 $aregional studies. 610 $asocial issues. 610 $asociety. 610 $asociology. 610 $aus cities. 610 $avisual evidence. 615 0$aPopular music$xSocial aspects 615 0$aHurricane Katrina, 2005$xSocial aspects. 676 $a306.4/84240976335 700 $aWatts$b Lewis$f1946-$01481078 701 $aPorter$b Eric$g(Eric C.)$0707262 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786175403321 996 $aNew Orleans suite$93697897 997 $aUNINA LEADER 01310nam 2200445 450 001 9910820465803321 005 20191120080327.0 010 $a2-8004-1677-7 035 $a(CKB)4100000008332693 035 $a(MiAaPQ)EBC5780101 035 $a(Au-PeEL)EBL5780101 035 $a(OCoLC)1103219955 035 $a(PPN)261210300 035 $a(EXLCZ)994100000008332693 100 $a20191120d2015 uy 0 101 0 $afre 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aM comme me?re, M comme monstre /$fnume?ro coordonne? par Muriel Andrin, Ste?phanie Loriaux et Barbara Obst 210 1$aBruxelles, Belqique :$cE?ditions de l'Universite? de Bruxelles,$d[2015] 210 4$dİ2015 215 $a1 online resource (120 pages) 225 1 $aSextant ;$v32 311 $a2-8004-1595-9 410 0$aSextant ;$v32. 606 $aInfanticide$xHistory 615 0$aInfanticide$xHistory. 676 $a392.12 700 $aAndrin$b Muriel$0965745 702 $aLoriaux$b Ste?phanie 702 $aObst$b Barbara 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820465803321 996 $aM comme me?re, M comme monstre$92191269 997 $aUNINA