LEADER 04013nam 2200865 450 001 9910820415803321 005 20230912132543.0 010 $a9786612037115 010 $a1-282-03711-0 010 $a1-4426-7094-0 024 7 $a10.3138/9781442670945 035 $a(CKB)2430000000001343 035 $a(OCoLC)666917797 035 $a(CaPaEBR)ebrary10219226 035 $a(SSID)ssj0000289082 035 $a(PQKBManifestationID)11232488 035 $a(PQKBTitleCode)TC0000289082 035 $a(PQKBWorkID)10383683 035 $a(PQKB)10727313 035 $a(CaBNvSL)thg00600598 035 $a(DE-B1597)464183 035 $a(OCoLC)1013947181 035 $a(OCoLC)944178526 035 $a(DE-B1597)9781442670945 035 $a(Au-PeEL)EBL4671193 035 $a(CaPaEBR)ebr11256913 035 $a(VaAlCD)20.500.12592/wf0n3x 035 $a(schport)gibson_crkn/2009-12-01/6/418069 035 $a(MiAaPQ)EBC4671193 035 $a(OCoLC)1380995567 035 $a(MdBmJHUP)musev2_104425 035 $a(MiAaPQ)EBC3255318 035 $a(EXLCZ)992430000000001343 100 $a20160922h20002000 uy p 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArchitectonics of imitation in Spenser, Daniel, and Drayton /$fDavid Galbraith 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2000. 210 4$dİ2000 215 $a1 online resource (246 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-4451-4 320 $aIncludes bibliographical references and index. 327 $aACKNOWLEDGMENTS -- 1 The Landscape of Allegory -- Figuring Boundaries in The Faerie Queene -- 'The Vision Thing': Renaissance Allegory and Its Readers -- ENGLAND AND ROME IN THE FAERIE QUEENE -- 2 'All in amaze': Allegory in Book I of The Faerie Queene -- Spenser's Two Allegories -- 'The bright and blissfull Reformation' -- 3 Translatio Imperii in Book III of The Faerie Queene -- Leaving Troy -- Violation and Origin -- POETRY AND HISTORY AFTER THE FAERIE QUEENE -- 4 'Historian in verse': Daniel's Civil Wars -- 'Our Lucan' -- Analogy and Typology in The Civil Wars. 327 $aThe Poet and the Past -- 5 'A true native Muse': Drayton's Poly-Olbion -- 'As in a glasse, this Isle survay': The Chorographical Tradition -- Poet and Historian in Poly-Olbion -- 'This strange Herculean toyle' -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y. 330 $aExploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical and contemporary predecessors with implications for understanding the English Renaissance. 606 $aEnglish poetry$yEarly modern, 1500-1700$xHistory and criticism 606 $aLiterature and history$zEngland$xHistory$y16th century 606 $aLiterature and history$zEngland$xHistory$y17th century 606 $aHistorical poetry, English$xHistory and criticism 607 $aEngland$2fast 608 $aCritiques litteraires. 608 $aLivres numeriques. 608 $aLiterary criticism. 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aLiterary criticism. 608 $ae-books. 608 $aElectronic books. 615 0$aEnglish poetry$xHistory and criticism. 615 0$aLiterature and history$xHistory 615 0$aLiterature and history$xHistory 615 0$aHistorical poetry, English$xHistory and criticism. 676 $a821/.03209358 700 $aGalbraith$b David Ian$f1953-$01678332 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820415803321 996 $aArchitectonics of imitation in Spenser, Daniel, and Drayton$94045891 997 $aUNINA