LEADER 03383nam 2200457 a 450 001 9910820414303321 005 20240418125424.0 010 0 $a9780198028284 010 0 $a0198028288 035 $a(MiAaPQ)EBC7037303 035 $a(CKB)24235077700041 035 $a(MiAaPQ)EBC4082810 035 $a(MiAaPQ)EBC241529 035 $a(Au-PeEL)EBL4082810 035 $a(CaPaEBR)ebr10085269 035 $a(CaONFJC)MIL47059 035 $a(OCoLC)940512640 035 $a(EXLCZ)9924235077700041 100 $a19980820d1999 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBach's works for solo violin$b[electronic resource] $estyle, structure, performance /$fJoel Lester 205 $a1st ed. 210 $aNew York $cOxford University Press$d1999 215 $ax, 186 p. $cill 320 $aIncludes bibliographical references (p. 175-181) and index. 327 $aIntro -- Contents -- ONE: The History of Bach's Solo-Violin Works -- The Historical Setting -- Bach's Score -- The Transmission of Bach's Sonatas and Partitas -- TWO: The G-minor Adagio -- The Adagio as a Prelude to the Fuga -- One Type of Bach Prelude -- The G-minor Adagio as a Prelude -- The Adagio's Rhetorical Shape -- Performance Considerations -- Notes on the Autograph Score -- Performing the Rhythmic Notations -- The Other Prelude Movements in the Solo-Violin Works -- THREE: The G-minor Fuga -- The Sections of the G-minor Fuga -- Other Aspects of Heightening Activity in the Fuga -- Structure and Performance: The Fugal Exposition -- The Eighteenth-Century Arrangements -- The A-minor and C-major Fugas -- FOUR: The Siciliana of the G-minor Sonata -- Bach's Parallel-Section Movements -- The Structure of the Siciliana -- A Questionable Note and Some Thoughts on Ornamentation -- The Third Movements of the Other Solo-Violin Sonatas -- FIVE: The G-minor Presto -- The Presto and Perpetual Motions -- Baroque versus Later Metrics -- Binary Form and (versus?) Increasing Levels of Activity -- Performance Issues in the G-minor Presto -- The Finales to the A-minor and C-major Sonatas -- SIX: The Partitas -- Series of Dance Movements -- The Dance Types -- The Chaconne -- SEVEN: Closing Thoughts -- Notes -- Works Cited -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W. 330 $aJ.S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-18th century. This engaging introduction to these works is the first comprehensive exploration of their place within Bach's music, focusing on their structural and stylistic features as they have been perceived since their creation. Combining an analytical study, a historical guide, and an insightful introduction to Bach's style, this book will help violinists, scholars, and other listeners develop a deeper personal involvement with many aspects of these wonderful pieces. 606 $aPerformance practice (Music)$xHistory$y18th century 615 0$aPerformance practice (Music)$xHistory 676 $a787.2/092 700 $aLester$b Joel$0850843 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910820414303321 996 $aBach's works for solo violin$94045878 997 $aUNINA