LEADER 03012nam 2200529Ia 450 001 9910820365803321 005 20200520144314.0 010 $a1-134-81917-X 010 $a1-134-81918-8 010 $a0-203-36007-9 010 $a0-415-11625-2 010 $a1-280-04720-8 024 7 $a10.4324/9780203360071 035 $a(MiAaPQ)EBC179529 035 $a(Au-PeEL)EBL179529 035 $a(CaPaEBR)ebr10100224 035 $a(CaONFJC)MIL4720 035 $a(OCoLC)560259720 035 $a(OCoLC)958103032 035 $a(CKB)1000000000443864 035 $a(EXLCZ)991000000000443864 100 $a19950310d1996 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aShakespeare, theory, and performance /$fedited by James C. Bulman 205 $a1st ed. 210 $aLondon ;$aNew York $cRoutledge$d1996 215 $avi, 222p. $cill 311 $a0-415-11626-0 311 $a0-203-37683-8 320 $aIncludes bibliographical references and index. 327 $tpart 1 INTRODUCTION -- $tchapter NOTES -- $tchapter REFERENCES -- $tpart 2 STAGING SHAKESPEARE -- $tchapter NOTES -- $tchapter REFERENCES -- $tchapter 3 PERFORMANCE AND PARTICIPATION -- $tpart 4 SQUEAKING CLEOPATRAS -- $tchapter NOTES -- $tchapter REFERENCES -- $tpart 5 LOOKING FOR MR.SHAKESPEARE AFTER THE REVOLUTION -- $tchapter NOTES -- $tchapter REFERENCES -- $tpart 6 SHAKESPEARE, VOICE, AND IDEOLOGY -- $tchapter NOTES -- $tchapter REFERENCES -- $tchapter 7 ACTING SHAKESPEARE IN POSTCOLONIAL SPACE /$rDenis Salter -- $tpart 8 SHAKESPEARE WITHOUT HIS LANGUAGE /$rDennis Kennedy -- $tchapter NOTES -- $tchapter REFERENCES -- $tchapter 9 HISTORICIZING ALAN DESSEN -- $tpart 10 RETHINKING THE PERFORMANCE EDITIONS -- $tchapter NOTES -- $tchapter REFERENCES -- $tpart 11 DROWNING THE BOOK -- $tchapter NOTES -- $tchapter REFERENCES -- $tchapter NOTES ON CONTRIBUTORS. 330 $aShakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike. 606 $aTheater audiences 615 0$aTheater audiences. 676 $a792.9/5 701 $aBulman$b James C.$f1947-$0702766 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820365803321 996 $aShakespeare, theory, and performance$93945747 997 $aUNINA