LEADER 01368nam0-22003611i-450 001 990005617440403321 005 20181119161137.0 035 $a000561744 035 $aFED01000561744 035 $a(Aleph)000561744FED01 035 $a000561744 100 $a19990604e19731591km-y0itay50------ba 101 1 $aita 105 $aa-------00--- 200 1 $aAlberto Durero pittore e geometra chiarissimo, della simmetria dei corpi humani nuovamente tradotti dalla lingua Latina nella Italiana da M. Gio. Paolo Gallucci Salodiano 210 $aMilano$cGabriele Mazzotta$d1973 215 $a143 p.$cill.$d33 cm 225 1 $aPlanning & Design 305 $aRiproduzione anastatica conforme all'originale dell'edizione impressa in Venezia nel 1591 presso Domenico Nicolini 610 0 $aArte 676 $a743 700 1$aDürer,$bAlbrecht$f<1471-1528>$0399465 702 1$aGallucci Salodiano,$bPaolo 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005617440403321 952 $a743 DUR 1$bST.ARTE 11551$fFLFBC 952 $aRARI C 22$b9263$fFARBC 952 $aRGT 1459$b4626$fDARPU 959 $aDARPU 959 $aFLFBC 996 $aAlberto Durero pittore e geometra chiarissimo, della simmetria dei corpi humani nuovamente tradotti dalla lingua Latina nella Italiana da M. Gio. Paolo Gallucci Salodiano$91538611 997 $aUNINA LEADER 02675nam 2200505 450 001 9910820295103321 005 20231110220318.0 010 $a1-60223-421-3 035 $a(CKB)4100000011674455 035 $a(MiAaPQ)EBC28295080 035 $a(Au-PeEL)EBL28295080 035 $a(OCoLC)1137746035 035 $a(MdBmJHUP)musev2_98386 035 $a(MiAaPQ)EBC6887330 035 $a(Au-PeEL)EBL6887330 035 $a(EXLCZ)994100000011674455 100 $a20220928d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCabin 135 $ea memoir of Alaska /$fKatie Eberhart 205 $a1st ed. 210 1$aFairbanks, Alaska :$cUniversity of Alaska Press,$d[2020] 210 4$dİ2020 215 $a1 online resource (360 pages) 225 1 $aThe Alaska Literary 311 $a1-60223-420-5 320 $aIncludes bibliographical references. 327 $aIntro -- Contents -- Beginnings -- Ecologies -- Modulations -- Coda -- Reflections on Writing this book -- Acknowledgments -- References and Notes 330 $a"Cabin 135 exists as place and idea, abode and quirky companion. As place, the house offered abundant opportunities to explore and contemplate decisions made by previous residents. As an abstraction, the log-built cabin both anchored and propelled my speculative notions of time and place. Eventually, I looked outward, beyond the house toward the microcosms of garden and yard and on toward a wider terrain. Nature meanders through my life as an ongoing theme, whether semi-tamed garden, national park, or wild-seeming forest. My narrative journey samples history, gardening, and nature as well as grappling with a many-faced house. Within the thematic structure of this book, I learn to pay more attention to my surroundings-sometimes with a broad-brush approach such as considering a swath of vegetation, other times, contemplating only a small plot of forest or garden, or a patch of wall inside the house. While searching for narrative larger than myself, everything I experienced, pondered, and tinkered with became part of my story and I puzzled over how we change places in both minuscule and wide-ranging ways"--$cProvided by publisher. 410 4$aThe Alaska Literary 606 $aFarm life 607 $aMatanuska River Valley (Alaska)$vBiography 615 0$aFarm life. 676 $a979.83 700 $aEberhart$b Katie$01663159 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820295103321 996 $aCabin 135$94020253 997 $aUNINA