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100   $a20070727d2008      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aEyes upside down $evisionary filmmakers and the heritage of Emerson /$fP. Adams Sitney
205   $a1st ed.
210   $aOxford ;$aNew York $cOxford University Press$d2008
215   $a1 online resource (432 p.)
300   $aDescription based upon print version of record.
311   $a0-19-533115-X 
311   $a0-19-533114-1 
320   $aIncludes bibliographical references and index.
320   $a"Chronology of films": p. 401-408.
327   $aContents; Introduction: Emersonian Poetics; 1 Marie Menken and the Somatic Camera; 2 Ian Hugo and Superimposition; 3 Stan Brakhage's Autobiography as a Cinematic Sequence; 4 Jonas Mekas and the Diary Film; 5 Hollis Frampton and the Specter of Narrative; 6 Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe; 7 Beavers's Second Cycle: The Past in the Present-the Present in the Past; 8 Andrew Noren and the Open-Ended Cinematic Sequence; 9 Ernie Gehr and the Axis of Primary Thought; 10 Warren Sonbert's Movements in a Concerto; 11 Brakhage and the Tales of the Tribes
327   $a12 Frampton's Magellan13 Abigail Child: Textual Self-Reliance; 14 Su Friedrich: "Giving Birth to Myself "; 15 Brakhage: Meditative Cinema; 16 Beavers's Third Cycle: The Theater of Gesture; 17 Mekas's Retrospection; Conclusion: Perfect Exhilaration; Appendix: Chronology of Films; Index
330   $aIntroduction: Emersonian Poetics. 1. Marie Menken and the Somatic Camera. 2. Ian Hugo and Superimposition. 3. Stan Brakhage's Autobiography as a Cinematic Sequence. 4. Jonas Mekas and the Diary Film. 5. Hollis Frampton and the Spectre of Narrative. 6. Robert Beavers's Winged Distance/Sightless Measure: The Cycle of the Ephebe. 7. Beavers's Second Cycle: The Past in the Present - The Present in the Past. 8. Andrew Noren and the Open-Ended Cinematic Sequence. 9. Ernie Gehr and the Axis of Primary Thought. 10. Warren Sonbert's Movements in a Concerto. 11. Brakhage and the Tales of the Tribes. 12.
606   $aExperimental films$zUnited States$xHistory and criticism
615  0$aExperimental films$xHistory and criticism.
676   $a791.430973
700   $aSitney$b P. Adams$0530201
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910820232403321
996   $aEyes upside down$94046095
997   $aUNINA