LEADER 04152nam 2200829 a 450 001 9910820208203321 005 20240418021921.0 010 $a1-283-21191-2 010 $a9786613211910 010 $a0-8122-0301-1 024 7 $a10.9783/9780812203011 035 $a(CKB)2550000000051277 035 $a(OCoLC)759158215 035 $a(CaPaEBR)ebrary10491955 035 $a(SSID)ssj0000648809 035 $a(PQKBManifestationID)11383607 035 $a(PQKBTitleCode)TC0000648809 035 $a(PQKBWorkID)10600880 035 $a(PQKB)11719091 035 $a(MdBmJHUP)muse3232 035 $a(DE-B1597)449086 035 $a(OCoLC)979577832 035 $a(DE-B1597)9780812203011 035 $a(MiAaPQ)EBC3441498 035 $a(Au-PeEL)EBL3441498 035 $a(CaPaEBR)ebr10491955 035 $a(CaONFJC)MIL321191 035 $a(OCoLC)748533407 035 $a(EXLCZ)992550000000051277 100 $a19990621d2000 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aFire in my bones $etranscendence and the Holy Spirit in African American gospel /$fGlenn Hinson in collaboration with saints from a host of churches ; photographs by Roland L. Freeman 205 $a1st ed. 210 $aPhiladelphia, Pa. $cUniversity of Pennsylvania Press$dc2000 215 $a1 online resource (419 p.) 225 1 $aContemporary ethnography 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8122-1717-9 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tIllustrations --$tChapter 1. Seeking Understanding --$tChapter 2. Belief, Knowledge, and Experience --$tChapter 3. Experiencing the Holy --$tChapter 4. A Conversation --$tChapter 5. Beginnings --$tChapter 6. Scripture --$tChapter 7. Prayer --$tChapter 8. A Conversation --$tChapter 9. Song --$tChapter 10. Praise --$tChapter 11. Welcome --$tChapter 12. Response --$tChapter 13. The Emcee --$tChapter 14. Format --$tChapter 15. Purpose --$tChapter 16. False Purpose --$tChapter 17. Elevation --$tChapter 18. Invitation --$tChapter 19. Benediction --$tAppendix: Stepping Around Experience and the Supernatural --$tNotes --$tBibliography --$tAcknowledgments --$tIndex 330 $aGlenn Hinson focuses on a single gospel program and offers a major contribution to our understanding not just of gospel but of the nature of religious experience. A key feature of African American performance is the layering of performative voices and the constant shifting of performative focus. To capture this layering, Hinson demonstrates how all the parts of the gospel program work together to shape a single whole, joining speech and song, performer and audience, testimony, prayer, preaching, and singing into a seamless and multifaceted service of worship. Personal stories ground the discussion at every turn, while experiential testimony fuels the unfolding arguments. Fire in My Bones is an original exploration of experience and belief in a community of African American Christians, but it is also an exploration of African American aesthetics, the study of belief, and the ethnographic enterprise. 410 0$aContemporary ethnography. 606 $aAfrican American public worship 606 $aExperience (Religion) 606 $aAfrican Americans$xReligion 608 $aEthnography. 610 $aAfrican Studies. 610 $aAfrican-American Studies. 610 $aAmerican History. 610 $aAmerican Studies. 610 $aAnthropology. 610 $aFolklore. 610 $aLinguistics. 610 $aReligion. 610 $aReligious Studies. 615 0$aAfrican American public worship. 615 0$aExperience (Religion) 615 0$aAfrican Americans$xReligion. 676 $a306.6/64/008996073 700 $aHinson$b Glenn$01603827 701 $aFreeman$b Roland L.$f1936-2023.$01603828 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820208203321 996 $aFire in my bones$93928386 997 $aUNINA