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200 10$aShakespeare and Chekhov in production and reception $etheatrical events and their audiences /$fJohn Tulloch
205   $a1st ed.
210   $aIowa City $cUniversity of Iowa Press$dc2005
215   $a1 online resource (329 p.)
225 1 $aStudies in theatre history & culture
300   $aDescription based upon print version of record.
311   $a0-87745-926-6 
320   $aIncludes bibliographical references (p. [301]-304) and index.
327   $aDefining theatrical event and audience research -- Spectatorship social audiences, and risk: Shakespeare and the Q theatre -- Imagining audiences: the Eyre-Griffiths productions of The cherry orchard -- The "reading Chekhov" project: social audiences and reading formations -- The theatrical event: inner and outer audience frames -- Contextual theatricality: the theatrical event as occasion and place -- Cultural contexts: theatrical event, liminality and risk in The free state and The cherry orchard -- Playing culture: pleasurable play in The free state and The cherry orchard -- Theatrical playing: Much Ado, mediatization and "liveness".
330   $aWith a focus on the canonical institutions of Shakespeare and Chekhov, John Tulloch brings together for the first time new concepts of ""the theatrical event"" with live audience analysis. Using mainstream theatre productions from across the globe that were highly successful according to both critics and audiences, this book of case studies--ethnographies of production and reception--offers a combined cultural and media studies approach to analyzing theatre history, production, and audience. Tulloch positions these concepts and methodologies within a broader current theatrical debate between p
410  0$aStudies in theatre history and culture.
606   $aTheater audiences
615  0$aTheater audiences.
676   $a792.9/5
686   $a24.02$2bcl
700   $aTulloch$b John$0615398
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910820171603321
996   $aShakespeare and Chekhov in production and reception$93947901
997   $aUNINA