LEADER 03769nam 2200661 450 001 9910820150603321 005 20230803205308.0 010 $a0-8173-8786-2 035 $a(CKB)3710000000245353 035 $a(EBL)1793717 035 $a(SSID)ssj0001396946 035 $a(PQKBManifestationID)11882234 035 $a(PQKBTitleCode)TC0001396946 035 $a(PQKBWorkID)11414825 035 $a(PQKB)10208543 035 $a(MiAaPQ)EBC1793717 035 $a(Au-PeEL)EBL1793717 035 $a(CaPaEBR)ebr10938437 035 $a(OCoLC)891449716 035 $a(EXLCZ)993710000000245353 100 $a20140929h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBroadway and beyond $ecommercial theatre considered /$feditor, David S. Thompson ; associate editor, Jane Barnette ; photo by Randy Lawson ; graphic design by Leah Owenby 210 1$a[Tuscaloosa, Alabama] :$cThe University Alabama Press,$d2014. 210 4$dİ2014 215 $a1 online resource (139 p.) 225 1 $aTheatre Symposium ;$vVolume 22 300 $aDescription based upon print version of record. 311 $a0-8173-7009-9 327 $aContents; Introduction; "Totally Original": Daly, Boucicault, and Commercial Art in Late Nineteenth Century Drama / George Pate; Luggage, Lodgings, and Landladies: The Practicalities for Actresses on the British Provincial Circuits in the Late Nineteenth and Early Twentieth Centuries / Christine Woodworth; "The Mind of an Adult, the Heart of a Girl": Constructing Margo Jones in Rehearsal / Boone J. Hopkins; Puttin' the Profit in Nonprofit Broadway Theatre Companies / Dean Adams 327 $aCommercial Necessities: Reviving Stephen Sondheim and George Furth's Company at the Turn of the Millennium / Jeff TurnerPower in Weakness: Musicals in Poland under Communism / Jacek Mikolajczyk; The Recent Trend in Licensed Broadway Musicals in South Korea: Hybrid Cultural Products of K-Drama and K-Pop / Jae Kyoung Kim; Stages of Experience: Theatrical Connections between the Seven Stages of Experience and Historical Museums / Erin Scheibe; Grover's Corners Gets Sexy: The Appealing Dissonance of David Cromer's Our Town / Tony Gunn 327 $a"There's Too Many of Them!": Off-Off-Broadway's Performance of Geek Culture / John Patrick BrayContributors 330 $aThat theatre is a business remains a truth often ignored by theatre insiders and consumers of the performing arts alike. The essays in Theatre Symposium, Volume 22 explore theatre as a commercial enterprise both historically and as a continuing part of the creation, production, and presentation of contemporary live performance. The eleven contributors to this fascinating collection illuminate many aspects of commercial theatre and how best to examine it. George Pate analyzes the high-stakes implication of a melodramatic legal battle. Christine Woodworth recounts the difficulties encountered by 410 0$aTheatre symposium ;$vVolume 22. 606 $aDrama$xHistory and criticism$xTheory, etc$vCongresses 606 $aPerforming arts$vCongresses 606 $aTheater$vCongresses 615 0$aDrama$xHistory and criticism$xTheory, etc. 615 0$aPerforming arts 615 0$aTheater 676 $a808.2 702 $aThompson$b David$g(David S.), 702 $aBarnette$b Jane 702 $aLawson$b Randy 702 $aOwenby$b Leah 712 02$aSoutheastern Theatre Conference (U.S.) 712 12$aSETC Theatre Symposium$f(2013 :$eDecatur, Georgia) 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820150603321 996 $aBroadway and beyond$94022596 997 $aUNINA