LEADER 05732oam 22004932 450 001 9910820146903321 005 20240102235728.0 010 $a90-04-38829-X 024 7 $a10.1163/9789004388291 035 $a(MiAaPQ)EBC5683609 035 $a(CKB)4100000007650848 035 $a(EXLCZ)994100000007650848 100 $a20181013d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 02$aA cultural history of the avant-garde in the Nordic countries 1925-1950$fedited by Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Orum 210 1$aLeiden ;$aBoston :$cBrill Rodopi,$d[2018] 215 $a1 online resource (992 pages) 225 0 $aAvant-garde critical studies ;$v36 300 $aIncludes index. 311 $a90-04-36679-2 327 $tFront Matter --$tCopyright Page --$tPreface --$tNotes on Contributors --$tCosiness and Subversion ? From Post-Cubism to Functionalism and ?Scandinavian Surrealism? /$rBenedikt Hjartarson --$tParadigmatic Cases --$tIntroduction to Section 1 /$rAndrea Kollnitz --$tViking Eggeling and European Avant-Garde Cinema /$rMalte Hagener and Yvonne Zimmermann --$tFor Our Own Time ? Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 1930 /$rAndrea Kollnitz --$tThe Kjersmeier Collection of African Art, the Danish Avant-Garde and the Construction of Photographic Meaning /$rWendy A. Grossman --$tAlvar Aalto around 1930 ? Between Modernism and the Avant-Garde /$rEeva-Liisa Pelkonen --$tAsger Jorn and Cobra ? A Many-Headed Beast /$rKaren Kurczynski --$tLegacies and New Directions --$tIntroduction to Section 2 /$rBenedikt Hjartarson --$tQuosego ? Final Blow, Starting Shot /$rFredrik Hertzberg --$tSurrealism in Denmark ? Vilhelm Bjerke-Petersen?s Book Surrealismen, 1934 /$rCamilla Skovbjerg Paldam --$t?Everybody must participate in everything? ? Cross-Aesthetic Practices in and around the Danish Magazine linien (1934?1939) /$rMarianne Ølholm --$tThe Reception of the Halmstad Group in the 1930s /$rHelen Fuchs --$tSmile at the World, and It Will Laugh at You ? Helhesten?s Folkelig Avant-Garde /$rKerry Greaves --$tThe Birth of a Vanguard ? Icelandic Art 1940?1950 /$rAðalsteinn Ingólfsson --$tScandinavian Women Artists and the Académie Moderne ? Abstraction, Gender and the Nordic /$rDorthe Aagesen --$tUniversal Language on National Ground ? Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930 /$rAndrea Kollnitz --$tLinien ii ? A Local Avant-Garde Formation in Postwar Denmark /$rJens Tang Kristensen --$tTransmissions, Appropriations and Responses --$tIntroduction to Section 3 /$rAndrea Kollnitz and Harri Veivo --$tTo France with Love ? Surrealism, Schadism, Situationism and Jens August Schade /$rPer Stounbjerg --$tA Nordic Verfremdung ? Bertolt Brecht?s Exile in Denmark, Sweden and Finland 1933?1941 /$rRikard Schönström --$tMerz in the Mountains: Peripheral Art in a Peripheral Landscape ? On Kurt Schwitters?s Norwegian Exile and Artistic Production in Møre og Romsdal, 1937?1940 /$rHubert van den Berg --$tRita Kernn-Larsen ? An International Surrealist Career /$rUlla Angkjær Jørgensen --$tFrom Bauhaus to Bispebjerg ? Edvard Heiberg and the Social Avant-Garde /$rNan Dahlkild --$tCorporeal Aesthetics ? Primitivism and the Reception of African American Performing Arts around 1930 /$rKaren Vedel --$tTrajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922?1939 /$rHarri Veivo --$tInstitutional Settings --$tIntroduction to Section 4 /$rPer Stounbjerg --$tHow Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde /$rMichael Fjeldsøe --$tThe Engineer and the Avant-Garde ? Concrete Artists in Sweden /$rLinda Fagerström --$tArne Korsmo, PAGON and ?Meccano for the Home? /$rEspen Johnsen --$tState-Controlled Avant-Garde? ? Emil Bønnelycke?s Radiophonic Portrait of Copenhagen /$rJacob Kreutzfeldt --$tNyrki Tapiovaara ? Between Avant-Garde and Mainstream Cinema /$rKimmo Laine. 330 $aA Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war. 410 0$aAvant-Garde Critical Studies$v36. 606 $aAvant-garde (Aesthetics)$zScandinavia$xHistory$y20th century 606 $aArts, Scandinavian$xHistory$y20th century 606 $aPopular culture$zScandinavia$xHistory$y20th century 615 0$aAvant-garde (Aesthetics)$xHistory 615 0$aArts, Scandinavian$xHistory 615 0$aPopular culture$xHistory 676 $a700.411 702 $aHjartarson$b Benedikt 702 $aKollnitz$b Andrea$f1970- 702 $aStounbjerg$b Per$f1956- 702 $aØrum$b Tania 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910820146903321 996 $aA cultural history of the avant-garde in the Nordic countries 1925-1950$94086457 997 $aUNINA