LEADER 02481nam 2200589 450 001 9910820134203321 005 20230803213334.0 010 $a1-4438-7993-2 035 $a(CKB)3710000000433608 035 $a(EBL)2076563 035 $a(SSID)ssj0001541517 035 $a(PQKBManifestationID)11897591 035 $a(PQKBTitleCode)TC0001541517 035 $a(PQKBWorkID)11534860 035 $a(PQKB)10180620 035 $a(MiAaPQ)EBC2076563 035 $a(Au-PeEL)EBL2076563 035 $a(CaPaEBR)ebr11068966 035 $a(CaONFJC)MIL804212 035 $a(OCoLC)913091834 035 $a(EXLCZ)993710000000433608 100 $a20150707h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTracing their tracks $eidentification of Nordic styles from the early Middle Ages to the end of the Viking period /$fPeter Hupfauf 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2014. 210 4$dİ2014 215 $a1 online resource (214 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-6673-3 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgements; Introduction; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Conclusion; References; Index 330 $aUnderstanding the relation of semiology to Western iconography is essential, as it is the element that, often unconsciously, influences perception in Western society. Scholars, such as Klaus Du?wel with his outstanding knowledge of runic script, sometimes reach their limits if inscriptions are complemented with abstract images that may be accidental scratches or, on the other hand, a sign or signs indicating symbolic meaning. The detailed definition of the Medieval World by Margaret Clunies ... 606 $aSymbolism in art$zScandinavia$xHistory$yTo 1500 606 $aArt, Scandinavian$xThemes, motives 606 $aArt and society$zScandinavia$xHistory 607 $aScandinavia$xAntiquities 615 0$aSymbolism in art$xHistory 615 0$aArt, Scandinavian$xThemes, motives. 615 0$aArt and society$xHistory. 676 $a704.94 700 $aHupfauf$b Peter$01607987 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910820134203321 996 $aTracing their tracks$93934489 997 $aUNINA