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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$a9/11 and the literature of terror$b[electronic resource] /$fMartin Randall
205   $a1st ed.
210   $aEdinburgh $cEdinburgh University Press$dc2011
215   $a1 online resource (185 p.)
300   $aDescription based upon print version of record.
311   $a1-322-98152-3 
311   $a0-7486-3852-0 
320   $aIncludes bibliographical references (p. [161]-167) and index.
327   $tFrontmatter --$tContents --$tAcknowledgements --$tIntroduction: Eyewitnesses, Conspiracies and Baudrillard --$t1. ?Beyond Belief?: McEwan, DeLillo and 110 Stories --$t2. ?Total Malignancy . . . Militant Irony?: Martin Amis, The Second Plane --$t3. ?You Know How it Ends?: Metafiction and 9/11 in Windows on the World --$t4. ?A Wing and a Prayer?: Simon Armitage, Out of the Blue --$t5. ?A Certain Blurring of the Facts?: Man on Wire and 9/11 --$t6. ?He is Consoling, She is Distraught?: Men and Women and 9/11 in The Mercy Seat and The Guys --$t7. ?Everything Seemed to Mean Something?: Signifying 9/11 in Don DeLillo?s Falling Man --$tConclusion: ?I am a Lover of America? --$tNotes --$tBibliography --$tIndex
330   $aExplores the fiction, poetry, theatre and cinema that have represented the 9/11 attacks. Works by Martin Amis, Ian McEwan, Don DeLillo, Simon Armitage and Mohsin Hamid are discussed in relation to the specific problems of writing about such a visually spectacular 'event' that has had enormous global implications.
606   $aSeptember 11 Terrorist Attacks, 2001, in literature
606   $aSeptember 11 Terrorist Attacks, 2001$xInfluence
606   $aLiterature, Modern$y21st century$xHistory and criticism
607   $aNew York (N.Y.)$xIn literature
615  0$aSeptember 11 Terrorist Attacks, 2001, in literature.
615  0$aSeptember 11 Terrorist Attacks, 2001$xInfluence.
615  0$aLiterature, Modern$xHistory and criticism.
676   $a810.9358
700   $aRandall$b Martin$01675268
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
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