LEADER 02369nam 2200565 a 450 001 9910819987803321 005 20230721032115.0 010 $a0-8166-9598-9 035 $a(CKB)1000000000484565 035 $a(EBL)331684 035 $a(OCoLC)476131237 035 $a(SSID)ssj0000118365 035 $a(PQKBManifestationID)11136301 035 $a(PQKBTitleCode)TC0000118365 035 $a(PQKBWorkID)10051838 035 $a(PQKB)10964360 035 $a(MiAaPQ)EBC331684 035 $a(OCoLC)212816010 035 $a(MdBmJHUP)muse38908 035 $a(Au-PeEL)EBL331684 035 $a(CaPaEBR)ebr10215794 035 $a(CaONFJC)MIL523030 035 $a(EXLCZ)991000000000484565 100 $a20061004d2007 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCartographic cinema$b[electronic resource] /$fTom Conley 210 $aMinneapolis $cUniversity of Minnesota Press$dc2007 215 $a1 online resource (274 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-4357-1 311 $a0-8166-4356-3 320 $aIncludes bibliographical references (p. 241-249) and index. 320 $aIncludes filmography: p. 251-253. 327 $aIcarian cinema: Paris qui dort -- Jean Renoir: cartographies in deep focus -- Maps and theaters of torture: Roma, citta? aperta -- A desperate journey: from Casablanca to Indiana Jones -- Juvenile geographies: Les mistons -- Michelin Tendre: Les amants -- Paris Underground: Les 400 coups -- A roadmap for a road movie: Thelma and Louise -- Cronos, cosmos, and Polis: La haine -- Ptolemy, Gladiator, and empire. 330 $aMaps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this groundbreaking work, eminent scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. 606 $aMaps in motion pictures 615 0$aMaps in motion pictures. 676 $a791.43/62 700 $aConley$b Tom$0168200 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819987803321 996 $aCartographic cinema$94071230 997 $aUNINA