LEADER 04006nam  2200733   450 
001 9910819916003321
005 20230912172614.0
010   $a1-281-99740-4
010   $a9786611997403
010   $a1-4426-8052-0
024 7 $a10.3138/9781442680524
035   $a(CKB)2420000000004397
035   $a(OCoLC)244766551
035   $a(CaPaEBR)ebrary10200883
035   $a(SSID)ssj0000289627
035   $a(PQKBManifestationID)11238113
035   $a(PQKBTitleCode)TC0000289627
035   $a(PQKBWorkID)10401704
035   $a(PQKB)10632942
035   $a(CaPaEBR)417635
035   $a(CaBNvSL)thg00600869
035   $a(DE-B1597)479097
035   $a(OCoLC)992507157
035   $a(DE-B1597)9781442680524
035   $a(Au-PeEL)EBL4672011
035   $a(CaPaEBR)ebr11257697
035   $a(OCoLC)958572161
035   $a(VaAlCD)20.500.12592/429mnz
035   $a(schport)gibson_crkn/2009-12-01/6/417635
035   $a(MiAaPQ)EBC4672011
035   $a(OCoLC)815762062
035   $a(MdBmJHUP)musev2_105284
035   $a(MiAaPQ)EBC3251328
035   $a(EXLCZ)992420000000004397
100   $a20160922h19961996  uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe barbershop singer $einside the social world of a musical hobby /$fRobert A. Stebbins
210  1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1996.
210  4$dİ1996
215   $a1 online resource (149 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8020-7829-X 
320   $aIncludes bibliographical references and index.
327   $a""Contents""; ""Preface""; ""Acknowledgments""; ""1 The Social Worlds of American Music""; ""2 The Old Songs""; ""3 Organized Barbershop""; ""4 Becoming a Barbershop Singer""; ""5 Why Sing?""; ""6 Work in Leisure""; ""7 Dissonance in Close Harmony""; ""8 Musical Lifestyles""; ""Appendix: Interview Guide for the Study of Barbershop Singers""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""
330   $aBarbership singing is often dismissed by its critics as merely an enjoyable hobby. Though long popular with both its public and participants, it has been relatively neglected in the field of music studies. Robert A. Stebbins demonstrates that barbershop singing is an elaborate and complicated form of serious leisure that provides its participants with distinctive lifestyles. The Barbershop Singer is a unique case study of this significant musical genre, describing the social world of the barbershop singer and exploring its appeal for both male and female singers. Robert Stebbins traces the history of barbershop singing and compares and contrasts the worlds of jazz, classical music, and barbershop as serious leisure pursuits. Stebbins also reveals its costs and rewards, its complex organizational structures, the social marginality felt by its more dedicated participants, and the main problems facing the art today.Although barbershop singing is clearly a circumscribed social world, understanding how it works expands current knowledge of the variant forms of social participation available to citizens of the modern world. The Barbershop Singer will be of interest to sociologists as well as those involved in the world of barbershop.
606   $aBarbershop singing
606   $aMusic$xSocial aspects
607   $aAlberta$zCalgary$2fast
608   $aElectronic books. 
615  0$aBarbershop singing.
615  0$aMusic$xSocial aspects.
676   $a306.4/84
700   $aStebbins$b Robert A.$f1938-$0895400
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910819916003321
996   $aThe barbershop singer$93980212
997   $aUNINA