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100   $a20100528d2010      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aBollywood in the age of new media $ethe geo-televisual aesthetic /$fAnustup Basu
205   $a1st ed.
210   $aEdinburgh $cEdinburgh University Press$dc2010
215   $a1 online resource (273 p.)
300   $aDescription based upon print version of record.
311   $a0-7486-4102-5 
320   $aIncludes bibliographical references and index.
327   $aCover; Copyright; Contents; List of Figures; Acknowledgments; Part I Introduction; CHAPTER 1 Cinematic "Assemblages": The 1990's and Earlier; CHAPTER 2 The Geo-televisual and Hindi Film in the Age of Information; Part II Informatics, Sovereignty, and the Cinematic City; CHAPTER 3 Allegories of Power/Information; CHAPTER 4 The Music of Intolerable Love: Indian Film Music, Globalization, and the Sound of Partitioned Selves; Part III Myth and Repetition; CHAPTER 5 Technopolis and the Ramayana: New Temporalities; CHAPTER 6 Repetitions with Difference: Mother India and her Thousand Sons; Epilogue
327   $aBibliographyIndex
330   $aThis is a study of popular Indian cinema in the age of globalisation, new media, and metropolitan Hindu fundamentalism, focusing on the period between 1991 and 2004.
606   $aMotion pictures$zIndia$xHistory
606   $aMotion picture industry$zIndia$zBombay$xHistory
615  0$aMotion pictures$xHistory.
615  0$aMotion picture industry$xHistory.
676   $a791.430954
700   $aBasu$b Anustup$01665356
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910819859803321
996   $aBollywood in the age of new media$94023928
997   $aUNINA