LEADER 03571nam 2200589Ia 450 001 9910819812303321 005 20240430194440.0 010 $a1-84150-296-0 035 $a(CKB)1000000000748048 035 $a(EBL)435031 035 $a(OCoLC)371102643 035 $a(SSID)ssj0000204681 035 $a(PQKBManifestationID)11172534 035 $a(PQKBTitleCode)TC0000204681 035 $a(PQKBWorkID)10187986 035 $a(PQKB)10556785 035 $a(MiAaPQ)EBC435031 035 $a(Au-PeEL)EBL435031 035 $a(CaPaEBR)ebr10288761 035 $a(CaONFJC)MIL884721 035 $a(EXLCZ)991000000000748048 100 $a20081009d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aModes of spectating /$fAlison Oddey and Christine White 205 $a1st ed. 210 $aBristol, UK. ;$aChicago, Ill. $cIntellect Books $cUniversity of Chicago Press$d2009 215 $a1 online resource (268 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-239-1 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Preliminary Pages; Contents; Introduction: Visions Now: Life is a Screen; Part One: Interactive Media and Youth Culture; Chapter 1 Altered States; Chapter 2 A Quick Walk Through Uncanny Valley; Chapter 3 Spectatorship and Action Research Performance Models; Part Two: Imaginative Escape; Chapter 4 The Active Audience: The Network as a Performance Environment; Chapter 5 The Audience in Second Life: Thoughts on the Virtual Spectator; Chapter 6 Cultural Use of Cyberspace: Paradigms of Digital Reality 327 $aChapter 7 Observing the Interactive Movie Experience: The Artist's Approach to Responsive Audience Interaction DesignPart Three: Identity and the Self-conscious Spectator; Chapter 8 Interior Spectating: Viewing Inner Imagery in Psychotherapy; Chapter 9 Tuning-in to Sound and Space: Hearing, Voicing and Walking; Chapter 10 Picturing Men: Performers and Spectators; Chapter 11 Haptic Visuality: The Dissective View in Performance; Chapter 12 Touched by Human Hands: City and Performance; Part Four: The Site of Spectating; Chapter 13 Dwellings in Image-spaces 327 $aChapter 14 Embodiment, Ambulation and DurationChapter 15 Odd Anonymized Needs: Punchdrunk's Masked Spectator; Chapter 16 Sites of Performance: The Wollstonecraft Live Experience! ; Selected Bibliography; Authors Biographies; Index; Back Cover 330 $aThe notion of spectatorship has become of increasing interest as artists develop experimental works and manufacturers seek to produce the means for viewing such works. Modes of Spectating explores the visual landscapes which spectators encounter, and how they perceive what they view.The volume questions the effect of different mediums on the spectator and asks not only how we view, but also how what we view determines what artists create. Chapters discuss how gaming and televisual media and entertainment are used by young people, and the resulting psychological challenges of human beings in th 606 $aMass media$xAudiences 606 $aTheater audiences 615 0$aMass media$xAudiences. 615 0$aTheater audiences. 676 $a700.1 700 $aOddey$b Alison$01684251 701 $aWhite$b Christine$01684252 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819812303321 996 $aModes of spectating$94055647 997 $aUNINA