LEADER 02450nam 22005051 450 001 9910819800203321 005 20170216100628.0 010 $a1-4742-5420-9 010 $a1-4742-5418-7 010 $a1-4742-5419-5 024 7 $a10.5040/9781474254182 035 $a(CKB)3710000000920403 035 $a(MiAaPQ)EBC4729300 035 $a(MiAaPQ)EBC6160985 035 $a(OCoLC)961456115 035 $a(UtOrBLW)bpp09260509 035 $a(EXLCZ)993710000000920403 100 $a20170227d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 12$aA history of light $ethe idea of photography /$fJunko Theresa Mikuriya 210 1$aLondon :$cBloomsbury Academic,$d2017. 215 $a1 online resource (187 pages) 311 $a1-350-08457-3 311 $a1-4742-5417-9 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements -- Notes on References -- Introduction -- 1. Plato's Allegorical Camera-Cave -- 2. Plato's Chora and the Uneasy Place of Photography -- 3. Iamblichus's Receptacle of Light -- 4. Photographing the Divine: Philotheos of Batos -- 5. Marsilio Ficino: Light and Photosensitivity Coda -- Notes -- Bibliography -- Index. 330 $a"When was photography invented? In 1826 with the first permanent photograph? If we depart from the technologically oriented accounts and consider photography as a philosophical discourse an alternative history appears, one which examines the human impulse to reconstruct the photogogic or "the evoking of light". The significance of the photagogic throughout the history of ideas is explored via the Platonic Dialogues, Iamblichus' theurgic writings, Marsilio Ficino's texts and the works of Renaissance magus John Dee. This alternative history is not a replacement of other narratives of photographic history but rather offers a way of rethinking photography's ontological instability."--Bloomsbury Publishing. 606 $aPhotography$xHistory 606 $aPhotography$xLighting 606 $2Philosophy: aesthetics 615 0$aPhotography$xHistory. 615 0$aPhotography$xLighting. 676 $a770.9 676 $a770.9 700 $aMikuriya$b Junko Theresa$01603005 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910819800203321 996 $aA history of light$93927186 997 $aUNINA