LEADER 03843nam 2200685 a 450 001 9910819787903321 005 20240516063652.0 010 $a1-4443-9673-0 010 $a1-283-20494-0 010 $a9786613204943 010 $a1-4443-9672-2 010 $a1-4443-9674-9 035 $a(CKB)3460000000003388 035 $a(EBL)698147 035 $a(OCoLC)729724682 035 $a(SSID)ssj0000482404 035 $a(PQKBManifestationID)12231790 035 $a(PQKBTitleCode)TC0000482404 035 $a(PQKBWorkID)10500814 035 $a(PQKB)10658206 035 $a(MiAaPQ)EBC698147 035 $a(Au-PeEL)EBL698147 035 $a(CaPaEBR)ebr10488530 035 $a(CaONFJC)MIL320494 035 $a(PPN)261716328 035 $a(EXLCZ)993460000000003388 100 $a20101210d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aTheatricality in early modern art and architecture /$fedited by Caroline van Eck and Stijn Bussels 205 $a1st ed. 210 $aMalden, Mass. $cWiley-Blackwell$d2011 215 $a1 online resource (197 p.) 225 0 $aArt history book series ;$v7 300 $aDescription based upon print version of record. 311 $a1-4443-3902-8 320 $aIncludes bibliographical references and index. 327 $aTheatricality in Early Modern Art and Architecture; Contents; Notes on Contributors; Chapter 1 The Visual Arts and the Theatre in Early Modern Europe; Chapter 2 'Theatricality' in Tapestries and Mystery Plays and its Afterlife in Painting; Chapter 3 Making the Most of Theatre and Painting: The Power of Tableaux Vivants in Joyous Entries from the Southern Netherlands (1458-1635); Chapter 4 Parrhasius and the Stage Curtain: Theatre, Metapainting and the Idea of Representation in the Seventeenth Century 327 $aChapter 5 In Front of the Work of Art: The Question of Pictorial Theatricality in Italian Art, 1400-1700Chapter 6 Staging Bianca Capello: Painting and Theatricality in Sixteenth-Century Venice; Chapter 7 The Performing Venue: The Visual Play of Italian Courtly Theatres in the Sixteenth Century; Chapter 8 Dancing Statues and the Myth of Venice: Ancient Sculpture on the Opera Stage; Chapter 9 How to Become a Picture: Theatricality as Strategy in Seventeenth-Century Dutch Portraits; Chapter 10 Staging Ruins: Paestum and Theatricality 327 $aChapter 11 Oprar sempre come in teatro: The Rome of Alexander VII as the Theatre of Papal Self-RepresentationChapter 12 Ut pictura hortus/ut theatrum hortus: Theatricality and French Picturesque Garden Theory (1771-95); Chapter 13 'What do I See?' The Order of Looking in Lessing's Emilia Galotti; Index 330 $aTheatricality in Early Modern Art and Architecture offers the first systematic investigation of exchanges between the arts, architecture and the theatre. The authors present many new instances of the interaction between the arts, providing a theoretical and historiographical context for these interactions.Offers the first systematic investigation of exchanges between the arts, architecture and the theatre, not simply the influence of the theatre on the arts, and vice versaDevelops a theoretical and methodological model to study such exchanges and interactions