LEADER 03202nam 2200577 a 450 001 9910819780503321 005 20240313133452.0 010 $a1-283-95978-X 010 $a0-253-01153-1 035 $a(CKB)2670000000330827 035 $a(EBL)1115505 035 $a(SSID)ssj0001101007 035 $a(PQKBManifestationID)11709766 035 $a(PQKBTitleCode)TC0001101007 035 $a(PQKBWorkID)11067013 035 $a(PQKB)11755311 035 $a(MiAaPQ)EBC1115505 035 $a(OCoLC)826660199 035 $a(MdBmJHUP)muse25699 035 $a(Au-PeEL)EBL1115505 035 $a(CaPaEBR)ebr10648813 035 $a(CaONFJC)MIL427228 035 $a(OCoLC)845250034 035 $a(EXLCZ)992670000000330827 100 $a19930611d1994 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Beethoven sonatas and the creative experience /$fKenneth Drake 205 $a1st ed. 210 $aBloomington $cIndiana University Press$dc1994 215 $a1 online resource (334 p.) 300 $aDescription based upon print version of record. 311 $a0-253-31822-X 320 $aIncludes bibliographical references (p. 311-315) and index. 327 $aCover; Title; Copyright; Contents; Preface; 1 The First Raptus, and All Subsequent Ones; The Sounds of Involvement; II:Technique as Touch; III: Tempo and the Pacing of Musical Ideas; IV: Dynamic Nuance and Musical Line; V: The Role of Silence; VI: Sound as Color; The Sonatas; VII: Descriptive Music: Op. 81a, Op. 13; VIII: Motivic Development: Op. 2 NO.1, Op. 57, Op. 110; IX: Quasi una Fantasia: Op. 27 Nos. 1 and 2, Op. 26; X: Line and Space: Op. 2 NO.2, Op. 101; XI: Movement as Energized Color: Op. 53; XII: The Moment of Creation: Op. 28, Op. 31 Nos. 2 and 3 327 $aXIII: Facing Two Directions: Op. 49 Nos. 1 and 2, Op. 54, Op. 78, Op. 90XIV: The Enjoyment of Fluency: Op. 10 Nos. 2 and 3, Op. 14 No.2, Op. 22, Op. 31 NO.1, Op. 79; XV: The Cosmopolitan Impostor: Op. 2 NO.3, Op. 14 NO.1; XVI: Embracing the Dachstein: Op. 7, Op. 106; XVII: A Higher Revelation: Op. 10 NO.1, Op. 109, Op. 111; XVIII: The Witness Tree; Notes; Index 330 $a""... one of the most interesting, useful and even exciting books on the process of musical creation."" -American Music Teacher""... noteworthy contribution... with plenty of insight into interpretation... remarkable as an insider's account of the works in an individual perspective."" -European Music TeacherDrake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skil 606 $aSonatas (Piano)$xAnalysis, appreciation 615 0$aSonatas (Piano)$xAnalysis, appreciation. 676 $a786.2/183/092 700 $aDrake$b Kenneth$f1930-$01664777 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819780503321 996 $aThe Beethoven sonatas and the creative experience$94023014 997 $aUNINA