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100   $a19960308d1996      uy         0
101 0 $aeng
135   $aurun#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aFlorentine drama for convent and festival $eseven sacred plays /$fAntonia Pulci ; annotated and translated by James Wyatt Cook ; edited by James Wyatt Cook and Barbara Collier Cook
205   $a1st ed.
210   $aChicago $cUniversity of Chicago Press$dc1996
215   $a1 online resource (313 p.)
225 1 $aOther voice in early modern Europe
300   $aDescription based upon print version of record.
311 0 $a0-226-68517-9 
311 0 $a0-226-68516-0 
320   $aIncludes bibliographical references (p. 38-46) and index.
327   $tFront matter --$tCONTENTS --$tTHE OTHER VOICE IN EARLY MODERN EUROPE: INTRODUCTION TO THE SERIES --$tACKNOWLEDGMENTS --$tANTONIA PULCI AND HER PLAYS --$tTHE PLAY OF SAINT FRANCIS COMPOSED BY LADY ANTONIA, WIFE OF BERNARDO PULCI --$tTHE PLAY OF SAINT [FLAVIA] DOMITILLA --$tTHE PLAY OF SAINT GUGLIELMA --$tTHE PLAY OF THE PRODIGAL SON --$tTHE PLAY OF SAINT ANTHONY THE ABBOT --$tTHE PLAY OF SAINT THEODORA  Attributed to Antonia Pulci --$tTHE PLAY AND FESTIVAL OF ROSANA --$tTHE SECOND PART OF THE FESTIVAL OF ULIMENTUS AND OF ROSANA Attributed to Antonia Pulci --$tINDEX
330   $aA talented poet and a gifted dramatist, Antonia Pulci (1452-1501) pursued two vocations, first as a wife and later as founder of an Augustinian order. During and after her marriage, Pulci authored several sacre rappresentazioni-one-act plays on Christian subjects. Often written to be performed by nuns for female audiences, Pulci's plays focus closely on the concerns of women. Exploring the choice that Renaissance women had between marriage, the convent, or uncloistered religious life, Pulci's female characters do not merely glorify the religious life at the expense of the secular. Rather, these women consider and deal with the unwanted advances of men, negligent and abusive husbands and suitors, the dangers of childbearing, and the disappointments of child rearing. They manage households and kingdoms successfully. Pulci's heroines are thoughtful; their capacity for analysis and action regularly resolve the moral, filial, and religious crises of their husbands and admirers. Available in English for the first time, this volume recovers the long muted voice of an early and important female Italian poet and playwright.
410  0$aOther voice in early modern Europe.
606   $aReligious drama, Italian$vTranslations into English
615  0$aReligious drama, Italian
676   $a852/.3
700   $aPulci$b Antonia$f1452-1501.$0888880
701   $aCook$b James Wyatt$f1932-$01675396
701   $aCook$b Barbara Collier$01675397
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910819746903321
996   $aFlorentine drama for convent and festival$94040831
997   $aUNINA