LEADER 03786nam 2200601 450 001 9910819733503321 005 20210423192822.0 010 $a3-11-035072-6 010 $a3-11-037357-2 024 7 $a10.1515/9783110350722 035 $a(CKB)2560000000312750 035 $a(EBL)4338389 035 $a(SSID)ssj0001484367 035 $a(PQKBManifestationID)12647124 035 $a(PQKBTitleCode)TC0001484367 035 $a(PQKBWorkID)11430833 035 $a(PQKB)10230538 035 $a(DE-B1597)252917 035 $a(OCoLC)979745867 035 $a(DE-B1597)9783110350722 035 $a(Au-PeEL)EBL4338389 035 $a(CaPaEBR)ebr11150229 035 $a(CaONFJC)MIL888763 035 $a(OCoLC)935921435 035 $a(MiAaPQ)EBC4338389 035 $a(PPN)202095886 035 $a(EXLCZ)992560000000312750 100 $a20160209h20142014 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aAbraham Shlonsky $ean introduction to his poetry /$fAri Ofengenden 210 1$aBoston, [Massachusetts] ;$aBerlin, Germany ;$aJerusalem :$cDe Gruyter Oldenbourg :$cMagnes,$d2014. 210 4$dİ2014 215 $a1 online resource (234 p.) 300 $aDescription based upon print version of record. 311 $a3-11-035061-0 320 $aIncludes bibliographical references and indexes. 327 $tFront matter --$tAcknowledgements --$tContents --$tIntroduction --$tChapter One. The Collections Stam (Ordinarily) and B'??efazi (In my Haste) --$tChapter Two. Agricultural Work, Heresy and Negation of Self in the Collection Gilboa --$tChapter Three. Loss of Belief and Madness in the Big City in the Collection Lekh Lekha (Go Forth) --$tChapter Four. The Process of Secularization in the Collection Metom (Perfection) --$tChapter Five. Avne'i Bohu: Karkhi'el (Stones of Void: Kharkhi'el) - the Desire for Absence and Loss of Self --$tChapter Six. "Shire'i hapaad haribu'a" (Songs of Fear Squared): The Desire for the Uncanny or Absence as the Uncanny --$tChapter Seven. Absence as Transformational Narcissism in Avnei Gvil: Tsamrot b'sufah (Rough Stones: Treetops in the Storm) --$tChapter Eight. Sefer Hasulamot - Between Ideal and Real --$tConclusion --$tBibliography --$tIndex of Persons --$tSubject Index --$tIndex of Poems and Collections 330 $aThe poet Abraham Shlonsky (1900-1973) can be regarded as the main architect of Jewish Modernism and Hebrew secular culture. In his crucial contribution, Ari Ofengenden disentangles Shlonsky's work from Zionist readings and shows how his poetics redeem experiences of radical political displacement, exile and alienation through the use of a precise, chiseled yet playfully enigmatic style. Writing on immigrants, refugees and urban outcasts following the traumatic events of the First World War and the Civil War in Russia, his poetry constitutes a fusion of Modernist European poetry with biblical and rabbinic sources with the influences of Georg Trakl and Rimbaud. The book situates Shlonsky's poetry in the context of his "rebellion" against the romantic poetry of C.N. Bialik and as an active participant in the European styles of Symbolism and Expressionism. The book is indispensable for understanding Modern Hebrew and Jewish culture, and more generally as an exemplar of today's more prevalent hybridizations of tradition and modernity. 606 $aHebrew poetry, Modern$xHistory and criticism 615 0$aHebrew poetry, Modern$xHistory and criticism. 676 $a892.4 700 $aOfengenden$b Ari$01634900 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819733503321 996 $aAbraham Shlonsky$94026557 997 $aUNINA