LEADER 02413nam 2200541 450 001 9910819664503321 005 20200520144314.0 010 $a0-8131-5882-6 035 $a(CKB)3710000000334218 035 $a(EBL)1915395 035 $a(SSID)ssj0001401556 035 $a(PQKBManifestationID)12594299 035 $a(PQKBTitleCode)TC0001401556 035 $a(PQKBWorkID)11349941 035 $a(PQKB)10388782 035 $a(OCoLC)557509680 035 $a(MdBmJHUP)muse44011 035 $a(Au-PeEL)EBL1915395 035 $a(CaPaEBR)ebr11009759 035 $a(CaONFJC)MIL690961 035 $a(OCoLC)900344795 035 $a(MiAaPQ)EBC1915395 035 $a(EXLCZ)993710000000334218 100 $a20150205h19821982 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCaldero?n $ethe secular plays /$fRobert Ter Horst 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1982. 210 4$dİ1982 215 $a1 online resource (266 p.) 300 $aIncludes index. 311 $a1-322-59679-4 311 $a0-8131-1440-3 320 $aIncludes bibliographical references and index. 327 $aCover; Half-title; Title; Copyright; Contents; ACKNOWLEDGMENTS; INTRODUCTION; I. ""AMORESGUERRA"": La estatua de Prometeo as the Model of Calderonian Dramaturgy; II. THE IDIOMS OF SILENCECE: Cervantes, Honor, and No hay cosa como collar; III. POETIC PRINCIPALITIES: The Private and the Public Person in Caldero?n; NOTES; INDEX 330 $aAlthough Pedro Caldero?n de la Barca was one of the greatest and most prolific playwrights of Spain's Golden Age, most of his nonallegorical comedias -- 118 in all -- have remained unknown. Robert ter Horst presents here the first full-length study of these works, a sustained, meditative analysis dealing with more than 80 plays, conveying a sense of the whole of Caldero?n's secular theater.To approach so vast a body of literature, Mr. ter Horst examines the meaning and function in Caldero?n of three broad subjects -- myth, honor, and history -- the warp threads across which the playwright weaves 676 $a862/.3 700 $aTer Horst$b Robert$f1929-$01687794 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819664503321 996 $aCaldero?n$94061551 997 $aUNINA