LEADER 03794nam 2200961 a 450 001 9910819662503321 005 20230617041858.0 010 $a1-282-35793-X 010 $a9786612357930 010 $a0-520-93825-9 024 7 $a10.1525/9780520938250 035 $a(CKB)2430000000010914 035 $a(EBL)837216 035 $a(OCoLC)773564939 035 $a(SSID)ssj0000313030 035 $a(PQKBManifestationID)11254620 035 $a(PQKBTitleCode)TC0000313030 035 $a(PQKBWorkID)10352478 035 $a(PQKB)11620060 035 $a(MiAaPQ)EBC837216 035 $a(DE-B1597)520913 035 $a(DE-B1597)9780520938250 035 $a(Au-PeEL)EBL837216 035 $a(CaPaEBR)ebr10676272 035 $a(CaONFJC)MIL235793 035 $a(EXLCZ)992430000000010914 100 $a20040401d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWeather eye open$b[electronic resource] $epoems /$fSarah Gridley 210 $aBerkeley $cUniversity of California Press$d2005 215 $a1 online resource (118 p.) 225 1 $aNew California poetry ;$vv 13 300 $aDescription based upon print version of record. 311 $a0-520-24293-9 311 $a0-520-24289-0 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tI -- $tII -- $tIII -- $tIV -- $tV -- $tVI -- $tVII -- $tNotes -- $tAcknowledgments of Permissions 330 $aThe windmill's labor is contingent upon the weather, upon what air masses, at any given time, overlie its landscape. Anticipatory in mood, Weather Eye Open adopts the emblem of the windmill, seeking what Merleau-Ponty calls the "inspiration and expiration of Being." The windmill serves as analogue to the perceiving subject, to the poet, whose consciousness, though rooted and partial, is yet always receptive to being energized, turned. Like open sails, the perceiver ushers the weather indoors, converting one motion, the wind, to another, the grinding burrstones. The poems in this collection pursue a similar transmutation through language, a staying open to its various weather (and whether) systems. For Sarah Gridley, language strikes at the "X" of experience: part presence and part absence, part spirit and part matter, part home and part homesickness, part harnessed and part wild. In the face of such weather, the stance of the poet is both rapacious and passive, searching and struck still. 410 0$aNew California poetry ;$v13. 606 $aAmerican poetry$y21st century 610 $aamerican poets. 610 $abeautiful. 610 $acontemporary poetry. 610 $aenglish majors. 610 $afemale authors. 610 $ahomesickness. 610 $ahumanity. 610 $alit students. 610 $aliterary studies. 610 $aliterature and art. 610 $alyric poetry. 610 $amodern landscape. 610 $amodern poets. 610 $amodern world. 610 $anature imagery. 610 $anature. 610 $aperception. 610 $apoems. 610 $apoet as subject. 610 $apoetic consciousness. 610 $apoetry books. 610 $apoetry collection. 610 $apoetry. 610 $apresence and absence. 610 $aspirit and matter. 610 $atransmutations. 610 $aweather poems. 610 $aweather. 610 $awindmill. 615 0$aAmerican poetry 676 $a811/.6 700 $aGridley$b Sarah$f1968-$01687787 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819662503321 996 $aWeather eye open$94061534 997 $aUNINA