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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe Etruscans in the modern imagination /$fSam Solecki
205   $a1st ed.
210  1$aMontreal, Quebec :$cMcGill-Queen's University Press,$d[2022]
210  4$d©2022
215   $a1 online resource (343 pages)
225 1 $aMcGill-Queen's Studies in the History of Ideas
311 08$aPrint version: Solecki, Sam The Etruscans in the Modern Imagination Montreal : McGill-Queen's University Press,c2022 9780228014638 
320   $aIncludes bibliographical references and index.
327   $tFront Matter -- $tContents -- $tIllustrations -- $tPreface: The Return of the Repressed -- $tAcknowledgments -- $tAntique Matters -- $tIntroduction: The Etruscans from Empire to Defeat ? Assimilation ? Return -- $tCreating a Taste for the Etruscans -- $tJohann Joachim Winckelmann: The Etruscan Chapter in The History of the Art of Antiquity (1764) -- $tSir William Hamilton and Josiah Wedgwood: The Indispensable Connoisseur and the Potter Who Made the Etruscans Visible, -- $tFashionable, and Popular -- $tWilliam Blake: What Is an ?Etruscan? Doing in ?An Island in the Moon? (1784?85)? -- $tBarthold Georg Niebuhr: The Return of the Etruscans in The History of Rome (1812) -- $tLucien Bonaparte, Prince of Canino: Selling Out the Etruscans -- $tThomas Babington Macaulay: Lays of Ancient Rome (1842), a Poem of Empire -- $tMrs Hamilton Gray and George Dennis: English Travellers -- $tEtruscans in Basel, Rome, Massachusetts, Paris, London, and Vienna -- $tJohann Jakob Bachofen: Das Mutterrecht (1861), The Saga of Tanaquil (1870), and an Etruscan Queen -- $tEtruscan Vases: Prosper Mérimée, Stendhal, and Gustave Flaubert -- $tEtruscans in America: Ralph Waldo Emerson's Dream (1862), Nathaniel Hawthorne's The Marble Faun (1860), and Emily Dickinson's Etruscan Triptych -- $tEdgar Degas, Mary Cassatt, and Edith Reveley: The Sarcophagus of the Married Couple -- $tAnatole France's The Red Lily (1894), a Glance at Marcel Proust, and Etruscan Humour -- $tSigmund Freud's The Interpretation of Dreams (1900): Etruscan Dreams -- $tThe Etruscans after Lawrence -- $tAldous Huxley's Etruscan Decade: Those Barren Leaves (1925) and ?After the Fireworks? (1930), with a Glance at Roger Fry -- $tD.H. Lawrence's Etruscan Places (1932): The Invention of the Etruscans for the Twentieth Century and Margaret Drabble's Lawrentian -- $tThe Dark Flood Rises (2016) -- $tRaymond Queneau: How a Restless Surrealist and Future Pataphysician Resurrected the Etruscans in The Bark Tree (1933) -- $tMika Waltari's The Etruscan (1955): Civilizations in Crisis and the Fate of Spirit -- $tPeggy Glanville-Hicks?s Etruscan Concerto (1954): Etruscan Music Imagined -- $tThe Etruscans Enter Our World: The Holocaust, Modernism, the Cold War, Hollywood, Phenomenology, and Marilyn Monroe -- $tGiorgio Bassani?s The Garden of the Finzi-Continis (1962): EtruscansJewsItalians -- $tPablo Picasso, Alberto Giacometti, and David Smith: Etruscan Affinities, and a Note on Massimo Campigli -- $tZbigniew Herbert and Wis?awa Szymborska: Etruscans, Poles, and ?Peoples Unlucky in History? -- $tRika Lesser?s Etruscan Things (1983): If Stones Could Speak or Lithic Prosopopoeia -- $tDon Siegel?s The Killers (1964) and William Gibson?s Idoru (1996): When Is an Etruscan Not an Etruscan? -- $tAnne Carson: ?Canicula di Anna? (1984) and Norma Jeane Baker in Etruria -- $tAfterword: Nostos -- $tAppendix: Etruscan Sightings -- $tBibliography -- $tIndex
330   $aThe Etruscans, a revenant and unusual people, had all but disappeared by the start of the Christian era. Sam Solecki chronicles their unexpected return to the intellectual and cultural history of the west, beginning with eighteenth-century scholars, collectors, and archaeologists, to provide a fascinating meditation on cultural transmission between ancient and modern civilizations.
410  0$aMcGill-Queen's studies in the history of ideas.
606   $aEtruscans
607   $aEurope$xCivilization$xEtruscan influences
610   $aMediterranean.
610   $aaffinity cultural and national.
610   $aancient civilizations.
610   $aassimilation.
610   $aclassical.
610   $aconquest.
610   $adance.
610   $adecline.
610   $adisappearance.
610   $adissemination.
610   $aempires.
610   $afederalism.
610   $agenocide.
610   $agrand tour.
610   $ahistoriography.
610   $aideological.
610   $aindigenous.
610   $ainfluence.
610   $ainventing the past.
610   $alinguistic genocide.
610   $amulticultural.
610   $amultivocal.
610   $amythologies of unlucky conquered nations.
610   $apeoples unlucky in history.
610   $apleasure.
610   $areligion.
610   $asuperstition.
610   $asyncretic.
610   $ataste and antiquity.
610   $athe disappeared.
610   $atomb paintings.
610   $atombs.
610   $auses of the past.
610   $avanished civilizations.
615  0$aEtruscans.
676   $a937.5
686   $acci1icc$2lacc
700   $aSolecki$b Sam$0465365
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910819603003321
996   $aThe Etruscans in the modern imagination$93917146
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