LEADER 02556nam 2200649Ia 450 001 9910819574003321 005 20230422045358.0 010 $a9786611783556 010 $a1-281-78355-2 010 $a0-567-32323-4 035 $a(CKB)1000000000541592 035 $a(EBL)436757 035 $a(OCoLC)320322901 035 $a(SSID)ssj0000196183 035 $a(PQKBManifestationID)11189564 035 $a(PQKBTitleCode)TC0000196183 035 $a(PQKBWorkID)10141833 035 $a(PQKB)11254140 035 $a(MiAaPQ)EBC436757 035 $a(Au-PeEL)EBL436757 035 $a(CaPaEBR)ebr10250785 035 $a(CaONFJC)MIL178355 035 $a(OCoLC)893334418 035 $a(EXLCZ)991000000000541592 100 $a20000614d2000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMaking theatre$b[electronic resource] $efrom text to performance /$fPeter Mudford 210 $aLondon ;$aNew Brunswick, NJ $cAthlone Press$d2000 215 $a1 online resource (265 p.) 300 $aIncludes index. 311 $a0-485-11551-4 311 $a0-485-12158-1 327 $aContents; Acknowledgements; List of Illustrations; List of Abbreviations and References in Text; Foreword: A Personal Note; 1 The Stage and Performance; 2 Words; 3 Vision; 4 Music; Index 330 $aThe reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: ""Words"" and the interpretation of text; ""Vision"" including scenery, costume and lighting; and ""Music"" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by 606 $aDrama$xExplication 606 $aTheater$xProduction and direction 606 $aMusic in the theater 606 $aMusicals 606 $aOpera 615 0$aDrama$xExplication. 615 0$aTheater$xProduction and direction. 615 0$aMusic in the theater. 615 0$aMusicals. 615 0$aOpera. 676 $a792/.023 700 $aMudford$b Peter$0457211 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819574003321 996 $aMaking theatre$94077945 997 $aUNINA