LEADER 03831nam 2200673Ia 450 001 9910819562403321 005 20230620215904.0 010 $a1-4008-0287-3 010 $a1-4008-1179-1 010 $a1-282-60790-1 010 $a9786612607905 010 $a1-4008-2059-6 024 7 $a10.1515/9781400820597 035 $a(CKB)2520000000006975 035 $a(EBL)537672 035 $a(OCoLC)700686897 035 $a(SSID)ssj0000105672 035 $a(PQKBManifestationID)11644178 035 $a(PQKBTitleCode)TC0000105672 035 $a(PQKBWorkID)10107881 035 $a(PQKB)10025835 035 $a(MiAaPQ)EBC537672 035 $a(OCoLC)51542402 035 $a(MdBmJHUP)muse35925 035 $a(DE-B1597)446041 035 $a(OCoLC)979779117 035 $a(DE-B1597)9781400820597 035 $a(Au-PeEL)EBL537672 035 $a(CaPaEBR)ebr10359232 035 $a(CaONFJC)MIL260790 035 $a(EXLCZ)992520000000006975 100 $a19901120d1991 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAround Proust /$fRichard E. Goodkin 205 $aCourse Book 210 1$aPrinceton, N.J. :$cPrinceton University Press,$d1991. 215 $a1 online resource (173 pages) 311 0 $a0-691-06894-1 311 0 $a0-691-01508-2 320 $aIncludes bibliographical references (p. 147-160) and index. 327 $tFront matter --$tCONTENTS --$tACKNOWLEDGMENTS --$tINTRODUCTION --$tPART I: PROUST AND INTERTEXTUALITY --$tCHAPTER 1. Proust and Home (r): An Avuncular Intertext --$tCHAPTER 2. T(r)yptext: Proust, Mallarmé, Racine --$tPART II: REPRESENTATION OF TIME AND MOVEMENT --$tCHAPTER 3. Proust, Bergson, and Zeno, or, How Not to Reach One's End --$tCHAPTER 4. Fiction and Film: Proust's Vertigo and Hitchcock's Vertigo --$tPART III: LOVE AND DEATH --$tCHAPTER 5. Proust and Wagner: The Climb to the Octave Above, or, The Scale of Love (and Death) --$tCHAPTER 6. Mourning a Melancholic: Proust and Freud on the Death of a Loved One --$tNOTES --$tINDEX 330 $aA study in obsession, Marcel Proust's A la recherche du temps perdu is seemingly a self-sufficient universe of remarkable internal consistency and yet is full of complex, gargantuan digressions. Richard Goodkin follows the dual spirit of the novel through highly suggestive readings of the work in its interactions with music, psychoanalysis, philosophy, and cinema, and such literary genres as epic, lyric poetry, and tragedy. In exploring this fascinating intertextual network, Goodkin reveals some of Proust's less obvious creative sources and considers his influence on later art forms. The artistic and intellectual entities examined in relation to Proust's novel are extremely diverse, coming from periods ranging from antiquity (Homer, Zeno of Elea) to the 1950's (Hitchcock) and belonging to the cultures of the Greek, French, German, and English-speaking worlds. In spite of this variety of form and perspective, all of these analyses share a common methodology, that of "digressive" reading. They explore Proust's novel not only in light of such famous passages as those of the madeleine and the good-night kiss, but also on the basis of seemingly small details that ultimately take us, like the novel itself, in unexpected directions. 606 $aLITERARY CRITICISM$zEuropean$vFrench 606 $aLITERARY CRITICISM / European / French$2bisacsh 615 0$aLITERARY CRITICISM 615 7$aLITERARY CRITICISM / European / French. 676 $a843/.912 700 $aGoodkin$b Richard E$01616786 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819562403321 996 $aAround Proust$94055740 997 $aUNINA