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100   $a20180929d2014      uy             d
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPlays one /$fRoland Schimmelpfennig ; translated by David Tushingham
210  1$aLondon :$cOberon Books,$d2014.
215   $a1 online resource (458 p.)
225 1 $aOberon modern playwrights
300   $aDescription based upon print version of record.
311   $a1-78319-095-7 
327   $a""Cover""; ""Title Page""; ""Copyright""; ""Contents""; ""a???The Theatre Needs Challengesa???""; ""The Animal Kingdom""; ""Idomeneus""; ""Peggy Pickit Sees the Face of God""; ""The Four Points of the Compass""
330   $a Roland Schimmelpfennig is the most performed contemporary German playwright. This collection demonstrates the breadth and formal innovation of his writing.  The Animal Kingdom depicts the unremitting battle for human survival in a merciless environment: the theatre.  Peggy Pickit Sees the Face of God has been likened to a post-colonial Who's Afraid of Virginia Woolf. Here two doctors who have returned from Africa reveal the true cost of their failure to combat a terrible and frightening disease.  Idomeneus is a narrative play written for a large chorus which re-tells the classical Idomeneus m
410  0$aModern playwrights.
606   $aGerman drama$y21st century$vTranslations into English
615  0$aGerman drama
676   $a832/.92
700   $aSchimmelpfennig$b Roland$01620042
702   $aTushingham$b David
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910819506203321
996   $aPlays one$94080207
997   $aUNINA